Hey there, darlings! It's your favourite pink tutu-clad ballerina blogger, Emma, back with another exciting journey into ballet history. Today, we're twirling back to 1639, a year that marked a turning point for ballet as we know it. Let me grab my feather boa, my sparkly tiara, and let's take a graceful leap into this magical time!
Firstly, can we all agree that tutus and history just go together like a pirouette and a pointe shoe? Today, we're not only diving deep into the exciting developments of ballet in 1639, but also looking at the fashion that was swirling on stage, and perhaps even making a cheeky peek at what our lovely 17th century fashionistas were rocking on the streets.
I bet you're thinking, "1639? What was going on then?" Well, darlings, this is where we start to see the Royal Ballet's glorious journey. This year, a very special show called "Ballet de la Royne" (The Queen's Ballet) made its big debut in the magnificent halls of the Louvre. Imagine, a beautiful ballet under the gilded ceilings, the twinkle of the chandeliers reflecting off satin slippers!
Can you imagine being a Parisian ballerina in those days? Strutting your stuff on stage in the royal palace, every twirl a glimpse of elegance, every plie a moment of grace! The show itself was an ode to royalty, a ballet full of exquisite artistry and dazzling costumes. Oh, imagine the lace! The ribbons! The powdered wigs! What a fabulous feast for the eyes!
And speaking of costumes, let's discuss the fashion that adorned this special event! Picture yourself in a soft, flowing skirt with a richly embroidered bodice, and a beautifully elaborate headdress - the perfect ensemble to celebrate the beauty and wonder of dance. Remember, fashion back then wasn't just about looking fabulous - it was a true art form. Just like the way we strive to capture the grace of movement in our tutus, the ladies of 1639 wore their fashion as a form of art.
Now, before we hop back to the present day, let's not forget our beloved tutus. Back then, there wasn't really a concept of the modern tutu, darling. You can imagine that tutus at that time might have looked a little different - perhaps something with more intricate details, and less emphasis on the airy silhouette. It wouldn't be quite the full-on pouffe of the romantic era yet, but definitely an enchanting ensemble with its own unique beauty.
To understand where we are going, we need to understand where we've come from, and 1639 truly represents an important turning point in the ballet's journey. So, don't just take my word for it, darlings! Get out your comfy tutus, grab a glass of champagne, and indulge in a journey through time to a ballet-filled 1639.
P.S. Stay tuned, darling, for my next Pink Tutu News episode, where we’ll take a peek into what’s in store for the world of ballet in the upcoming season!
Until next time,
Love,
Emma xoxo
P.S.S Want to see some of those beautiful 17th-century fashion trends? Pop over to the Pink Tutu website where we have an exciting collection of historical images to get your imagination twirling.
