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History of Ballet in 	1793

Pink Tutu Post #221: 1793 – A Year of Change & Elegance!

Hello my darling tutu enthusiasts! 🩰💖 Emma here, back from a delightful trip through the time-slip, and ready to share some fascinating history with you. Today we’re travelling to 1793, a year of great upheaval and change across the globe, yet for us ballet lovers, a year that witnessed the continued blossoming of our beloved art form.

First, let’s set the scene: the world is abuzz with revolution, with the French Republic just a year old and the rest of Europe watching on, both terrified and fascinated. The king, Louis XVI, had just been guillotined, and the Reign of Terror was in full swing. This time of upheaval has a direct impact on ballet. While other nations held tight to tradition, in France, a bold new world of dance began to emerge, reflecting the revolution's themes of change and liberty.

The French Revolution’s Impact on Ballet

But even with a world changing rapidly, ballet remains steadfast. It continued to grace the royal courts and theatre stages across Europe, evolving, adapting, and thrilling audiences with its beautiful artistry and breathtaking elegance.

In France, we see a change in style, a move away from the rigid grandeur of the Baroque era towards a more relaxed and natural expression. This newfound sense of freedom led to the development of a new form, known as “the ballet d'action,” a departure from the courtly ballets of the past, featuring a storyline with characters, emotions, and complex plots. This form celebrated movement and beauty as a storytelling device, with dancers given the chance to explore more naturalistic and dynamic gestures.

Think of it, my loves, as the transition from intricate, perfectly symmetrical arrangements on stage to narratives told through grace and emotion. It's this development in the world of ballet that set the stage for the incredible, story-driven ballets of the Romantic era just around the corner!

Fashion and Shows

In 1793, let’s not forget the absolute stunning outfits being worn on the stage. You see, the revolutionary spirit seeped into the fashion of ballet. The graceful, floor-length dresses of the Baroque era were slowly replaced by more flowing and lighter designs. Think layers of silk and muslin, embellished with delicate lace, creating a sense of airiness and freedom – divine!

Imagine it, my darling ballerinas – tutus, of course, but not the fluffy tutus we know today! They were more of a simple, sleek, deconstructed sort. It's an absolutely gorgeous evolution, and with these new tutus, ballet moved with an elegance that simply begged for an audience's attention.

You couldn’t walk through London’s theatre district, darling, without being dazzled by the extravagant gowns and bonnets of those in attendance, their silhouettes reflecting the newest fashion trends of the time. I hear, my dear tutu enthusiasts, there were even whispers of new styles incorporating ballet-inspired elements into street fashion. A revolution in fashion is always welcome!

Now, let’s have a peep at the hottest shows taking the stage:

Paris was brimming with revolutionary artistry, with some standout productions captivating the Parisian public:

  • “Zéphyr and Flora” by Pierre Gardel - a joyous ode to the lightness of spirit, infused with a sense of newfound hope. The delicate choreography and vibrant costumes were truly enchanting, offering an uplifting moment amid the chaos of the time.
  • “The Judgment of Paris” by Jean-Georges Noverre - A truly stunning visual treat with mythical characters and breathtaking sets. It brought mythology and drama to the forefront, a must-see for ballet enthusiasts visiting the city.

Meanwhile, London, amidst its political and social uncertainties, still provided an arena for theatrical magic:

  • The Covent Garden Theatre – was bursting with classical ballets, the perfect place for a dose of elegant and beautiful dance in the face of turbulent times.
  • The Sadler’s Wells Theatre – showcasing an ever-evolving tapestry of ballet and dance, reflecting a world in motion, just like the vibrant patterns on a magnificent tutu.

And beyond Europe, ballet travelled further afield:

  • St. Petersburg in Russia – continued its own, unique, journey with breathtaking choreography. With stunning costuming and sets, a world of dance blossomed under the direction of Tsarina Catherine the Great. I am simply in awe of this remarkable influence on the world of ballet.

Oh, what a time for ballet in 1793, a year that laid the foundation for a new era of creativity and artistic expression! The year that bridged the old and the new, reflecting the powerful spirit of change sweeping through the globe. It was, in a nutshell, an era of pure beauty. And I, Emma, just can’t wait to travel back in time and dance with those talented performers and dress in those stunningly romantic costumes.

That’s it for this edition of Pink Tutu Post, my lovelies! Don’t forget to let me know your favourite historical ballet facts in the comments below. And keep spreading that pink tutu magic! 💖🩰

See you next time!

P.S. Remember to check back next week for Pink Tutu Post #222! Until then, get out there and dance your hearts out! 💕

History of Ballet in 	1793