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History of Ballet in 	1928

Pink Tutu News - Post #356: A Glimpse into 1928: The World of Ballet in the Roaring Twenties

Hello darlings! Emma here, back again from another whirl through time with my trusty pink tutu. This time, I’ve been dancing my way through the glamorous 1920s, a time when flapper dresses, bobbed hair, and jazz music were all the rage! And let me tell you, ballet was no exception to this fashionable whirlwind.

I have to confess, as I slipped through the time portal, the sight that greeted me was a little jarring. The stage was set for a completely different kind of ballet than what we are used to today. Forget the pristine white tutus, dear readers! The dancers were sporting short, revealing costumes with loose, flowing lines – think flapper dresses but designed for swirling, elegant leaps. The effect was utterly chic and absolutely revolutionary!

But let’s rewind a bit. What was the world of ballet like in 1928? Well, the big buzzword was neoclassicism, a style that took the beautiful grace of traditional ballet and fused it with a distinctly modern twist. Imagine graceful balletic movements married with dynamic, expressive choreography that showcased the dancer’s personality. Talk about captivating!

This was a time of groundbreaking dance pioneers, who dared to experiment and break from tradition. Think of Serge Diaghilev, a visionary who introduced the world to his Ballets Russes, which absolutely stormed the stages of Europe. They were a true game-changer, presenting daring costumes, striking stage designs, and incredibly talented dancers like Tamara Karsavina and Vaslav Nijinsky – I’d give anything to see them perform in their prime!

This wasn’t just about the art, darling. 1928 was all about pushing boundaries in the fashion world too. Designers like Coco Chanel were changing the face of women’s wear, creating streamlined, sleek looks. This influence permeated into the ballet world. Even though those short skirts may have seemed daring back then, I think we can all agree they’re totally back in style, right? 😉

But speaking of style, darling, don’t even get me started on the footwear! 1928 ballet shoes were nothing like the pointe shoes we know and love. Ballet slippers were a different story – I'm talking flat, leather, elegant, and incredibly lightweight. Perfect for capturing those quick, sharp, graceful moves of the neoclassical era.

Now, let's delve into the world of performances that had audiences in a tizzy in 1928!

The Ballets Russes continued to mesmerize, with their masterpiece Les Biches taking the stage by storm. Set in the Riviera with a vibrant, contemporary score by Francis Poulenc, it portrayed the lively spirit of the 20s through stunning choreography, all while pushing the boundaries of what a ballet could be. I’m already dreaming of travelling back to see it myself!

For those with a taste for something a bit more traditional, there was also the London Ballet Club. Founded in 1920 by Lydia Sokolova, they presented an interesting blend of classics and contemporary ballets. They aimed to introduce ballet to a broader audience, and their performances truly resonated with Londoners.

Of course, ballet isn't all about performance, darling. We also need to talk about the captivating world of ballet fashion! It wasn’t all pink tutus back then, but some of those early 20th-century designs are seriously inspiring. For instance, I’m absolutely smitten with the simplicity and elegance of those soft, flowing chiffon dresses. And who can resist the glamorous shine of a beaded bodice? Oh, those exquisite details… They make me want to whip up my own line of "Pink Tutu Chic" designs, what do you think, darlings?

The beautiful thing is that this period saw a new generation of ballet enthusiasts embrace the world of dance with gusto. The excitement was palpable. Even for someone like myself, jumping between centuries, it's almost impossible not to be caught up in the energy of that era!

Now, while I haven't found a shop stocked with pink tutus just yet in this era (perhaps it's my mission for next time!), I think I've discovered a new appreciation for the evolving world of ballet fashion. The era truly redefined the perception of what ballet could be. So much excitement, creativity, and innovation - all fuelled by the same love of dance that binds us even today.

As always, I'll leave you with my own little takeaway from this journey: it's all about embracing the spirit of those groundbreaking pioneers who dared to push the boundaries, who sought new ways to express themselves through the magic of dance. After all, isn’t that what makes ballet so enchanting?

And remember, darlings, even in a world full of fabulous trends, we can never lose our love for that classic, twirly, oh-so-charming pink tutu!

Until next time, Emma www.pink-tutu.com

History of Ballet in 	1928