History of Ballet in 1968

Hey darlings! Emma here, back with another fabulous instalment in my journey through the world of ballet history. This time, we’re pirouetting into the whirlwind that was 1968! I always love getting to this decade – so much going on, so much style, so much pink potential.

Just to recap, my mission here on Pink-Tutu is to explore the enchanting history of ballet and inspire everyone to join the pink tutu revolution! And what better way to do that than by dipping our toes into the fascinating world of 1968. Let’s face it, there’s no better way to capture the rebellious, artistic energy of the late 60s than by twirling in a vibrant, pink tutu, wouldn’t you say?

And let me tell you, there’s a lot to explore in this year! 1968 was an incredibly important year in ballet, with ground-breaking performances and new choreographic styles making waves on stages all over the world. We’ve got to remember that the ballet world, like most artistic pursuits, was responding to the turbulent events that were reshaping the world. There was an exciting energy in the air – everyone wanted to break the mould, try something new.

Firstly, it wouldn’t be a Pink-Tutu post without a little sartorial discussion. 1968 saw a shift in the classic, traditional ballet uniform, influenced by the growing cultural changes. This was the era of free love, the counter-culture movement, and, my favourite: youthquake. Imagine the tutus! A world where dance attire was no longer restricted to a classic, ivory and pink, but embraced vibrant colours and dynamic, innovative designs. I can already envision some amazing ensembles, with sequins and flowing chiffon, all with a dash of pink, of course! It was a glorious time for the feminine to express itself. Can you just picture a dancer gliding across the stage, swathed in a shimmering pink gown, defying the conventional? Absolutely divine!

I’m sure we've all heard of the "swinging sixties", right? Well, the energy wasn’t just hitting fashion – it was a tidal wave hitting ballet, too! In the world of professional performances, we saw an explosion of groundbreaking new choreography and modern ballet that challenged convention.

It’s truly exciting to think that a daring new generation of choreographers was taking the world by storm! One of the most influential figures from this year was a certain Maurice Béjart. This brilliant Belgian choreographer was a true innovator. He had the power to make every audience member completely captivated. In 1968 he launched the Ballet du XXe siècle with its innovative choreography.

His productions pushed boundaries, fusing elements of ballet with modern dance, exploring social commentary and embracing more fluid and expressive movement. I can only imagine the reaction. Can you see those first audiences, their eyes widening at this daringly fresh approach to dance? I, for one, would have been glued to the stage.

Speaking of daring and innovative work, I have to mention Rudolf Nureyev! I just love this man, a whirlwind of artistry! In 1968, Nureyev took the world by storm in an incredible performance of ‘Don Quixote’ which was a must-see for anyone wanting a dramatic evening of art. His movement was so powerful, his performance truly unforgettable. I just want to be part of a vibrant audience that erupts in applause at his every move, don’t you?

1968 also saw an exciting collaboration with Sir Frederick Ashton and the Royal Ballet. I adore Ashton’s elegant and deeply emotional choreography, and this year he released a beautiful interpretation of “The Dream” - so Romantic and visually breathtaking. I imagine the beautiful stage sets, all swathed in the softest pinks, with dreamy lighting, a true work of art! It is just the kind of performance I would enjoy most! You simply can’t deny the beauty of such ballets!

There are some fabulous exhibitions to catch if you want to truly dive into this era – just be prepared to be dazzled by the gorgeous colours and dynamic performances. And you have to know that in London there were two exhibitions that were really something special. The first was called “Dance – the twentieth century” at the Hayward Gallery and the second, “ Ballet Designs” at the Victoria and Albert museum. Imagine! They really understood how to celebrate the ballet, by immersing their viewers in an exciting world. I can almost see myself there – lost in a beautiful haze of pink tutus, glittering stage sets and stunning photography. This is pure ballet heaven. It’s these kinds of immersive exhibits that reminded everyone of the artform’s inherent power to enthral and inspire.

So, as we leave 1968 behind, let’s remember this year was an exciting turning point, full of bold artistic moves and a vibrant, revolutionary spirit. A spirit that is still with us today – all that energy! It reminds us why pink tutus remain eternally relevant. Remember, to capture that exciting spirit, just get your hands on the brightest pink tulle and spin to your heart’s content! You just never know, that pink tutu might be the key to your very own, personal revolution, darling. Until next time, stay sparkly!

Yours truly, Emma.