#BalletHistory during 1697 12 December

Post 444: Pink Tutu Adventures: December 12th, 1697

Hello my lovelies, and welcome back to the world of Pink Tutu! It's Emma here, your time-travelling ballerina, ready to whisk you off on another delightful journey through history. This month, we're swirling back to 12th December, 1697, where we'll be getting a taste of early ballet in the heart of the English court. Buckle up, darlings, because Magic Meg is raring to go!

Now, I know you're all probably thinking, "Emma, December in England?! How could anything ballet-related even be happening?!" But trust me, my darlings, the world of dance never sleeps. Even in the heart of winter, there's always a twinkle of artistry to be discovered.

As Magic Meg and I landed in the frost-kissed fields of Derbyshire, a beautiful vision unfolded before us: the grand estate of Chatsworth House, one of the most magnificent palaces in England. Inside, the air buzzed with a special occasion: a grand masque, a theatrical production of masked dances and poetry, complete with beautiful costumes, witty dialogue, and a flurry of fluttering fans. This particular masque, featuring the music of the renowned Henry Purcell, was a glorious affair, a blend of theatre, music, and elegant movements that could easily have been a precursor to our beloved ballet.

As a true lover of all things tutu-licious, I simply had to slip into the audience and experience this extraordinary piece of history first-hand. Let me tell you, my dears, I'm not one to be daunted by a bit of period fashion! Thankfully, I managed to source a delightful silk doublet and pantaloons in soft plum, adding a pop of colour to the occasion with a dashing velvet bow adorned with an exquisite pearl brooch, all while subtly incorporating some hidden pockets for a discreet travel snack, naturally! I also couldn't resist adding a splash of signature pink with a perfectly placed silk ribbon adorning my tightly coiffed curls, a tiny touch that truly made me feel at home.

The dancers, mainly noblemen and ladies of the court, glided gracefully in costumes of rich velvet and satin, their every move evoking a captivating blend of theatre, poetry, and music. The elegant choreography, even though lacking the precision of our modern ballet, was an enthralling mix of symbolic movements, theatrical flair, and dramatic expressions. It was an extraordinary experience, an absolute treat for the eyes and soul.

Of course, I couldn't leave without taking a bit of 17th-century ballet home with me. Tucked safely inside my trusty leather rucksack, I brought back a small leather-bound book of hand-drawn ballet sketches from the era, a wonderful testament to the artistry and grace that took the stage long before our modern ballet styles were even imagined. Imagine: it’s the year 1697, and dancers are creating stories, expressions, and breathtaking movement, without the structure of codified technique! It's mind-boggling to think of the courage and ingenuity of these early movers and shakers, isn't it, dearies?

Speaking of courageous movers and shakers, let’s rewind to 1697 a bit further, shall we? That’s the year, my lovely little ballerinas, when the great dancer and choreographer, Louis XIV, opened his prestigious ballet school, the Académie Royale de Danse. The royal school, nestled within the heart of Parisian society, was instrumental in formalizing and standardizing ballet, laying the foundation for the dance technique and artistry we know and love today.

While the December air outside Chatsworth House might have been brisk, the heart of England, indeed, was bursting with the warmth of a flourishing artistic culture. From elegant courtly masques to a revolutionary ballet school, the world of ballet, even in those earlier times, was full of incredible movements, a testament to the enduring power of art and expression, regardless of the time and era.

And on that note, my lovelies, I'd like to leave you with a little dose of ballet-infused inspiration for this month: Remember that each one of us carries within ourselves the ability to gracefully navigate the steps of our own unique dance. It doesn’t matter if it’s on stage or in the heart of daily life; the elegance of movement, the grace of expression, and the beauty of our shared human experience… these are the core components of dance.

Don't forget, dear readers, to continue following the Pink Tutu journey! Every month, we’ll be taking a trip through time together, experiencing history, discovering new ballet styles, and ultimately, remembering why this art form continues to inspire all those who embrace its beauty and grace.

Until next time, my lovely ballerinas, keep those pink tutus twirling, and always, always embrace the dance!

XOXO, Emma

#BalletHistory during 1697 12 December