Hello darlings! It's Emma here, your resident pink tutu-wearing time traveller, ready to whisk you away to a fabulous day in ballet history! This month, I'm trotting back to the year 1710, specifically 9th September, a date that whispers of swirling skirts and courtly elegance. Hop on Magic Meg, my trusty pink sparkling Shire horse (she's truly a vision, with golden hooves and a white mane that shines like moonlight!) and prepare to be mesmerized!
Now, this trip's a little different than usual – no grand ballets in grand palaces for me this time. 1710 wasn't exactly bursting with ballet, at least not in the way we know it today. Ballet was still evolving, taking baby steps out of its courtly confines into something more expressive and dynamic.
Instead of a stage, I find myself at a country manor house, surrounded by verdant lawns and rolling hills. Inside, the ladies and gentlemen of the manor are gathering for a private entertainment: a "Ballet à l’Improviste"!
Imagine, dear readers, a playful gathering, where instead of strict choreography, there's an air of improvisation and freedom. Imagine the delight of seeing a gentle waltz evolve into a joyous jig, a flurry of silken gowns swirling and ribbons floating in the air. These private performances, sometimes featuring impromptu steps, a little bit of miming and playful storytelling, were what the court and social circles craved at this time.
And guess what? I'm joining in! (Well, metaphorically, of course - the time travel rules are strict about preserving history. However, I am filling my rucksack with anecdotes, sketches, and the lingering air of joy from this charming, intimate spectacle). I picture myself, in my perfectly pink tutu, twirling in this lively impromptu dance, bringing a touch of my signature pink into this 18th-century manor!
Don't think for a moment, though, that 1710 was just about improvised country dances. Back in Paris, a grand ballet is making headlines – "La Princesse d'Élide" by François Campra, a French composer and renowned librettist. This masterpiece, showcasing exquisite costume designs and lavish scenery, truly ushered in a new era for ballet. The elegance, drama, and spectacle, combined with intricate musical scores, are the building blocks that would pave the way for the grand, theatrical ballets we adore today.
And what of my favourite thing – fashion? Ah, the costumes in these early ballets are something to behold. Imagine gowns adorned with exquisite embroidery and luxurious silk. The ladies wear intricately crafted headdresses and jewels, showcasing their wealth and stature. I've already started sketching some ideas for my next tutu creation, inspired by the colours and embellishments of the era!
And then, of course, there's the shopping. (Every trip is about the shopping, isn't it, dears? Shopping, ballet and perhaps a spot of pink champagne! Don't tell Magic Meg!). Even though 1710 didn't have massive shopping centres, I have to sneak a peek into a milliner’s shop, and drool over the stunning lace, ribbons, and feathers available to these elegant women. Just picture me, pink tutu trailing, trying to squeeze myself through the narrow doorway, mesmerised by the elaborate designs on display!
As the sun sets on this historical adventure, I must admit, I'm starting to feel a bit nostalgic. I long for the grace and simplicity of those earlier times, where a spontaneous dance could bring joy to everyone. But, just as I leave 1710 behind, I know the beauty and magic of ballet continues to evolve, creating a never-ending spectacle of elegance, creativity, and grace.
Until next time, darlings, stay sparkly and wear pink with pride! And, of course, do visit my website www.pink-tutu.com to read more of my exciting ballet-related time travel tales!
Don't forget to follow my Instagram @pinktututimetravel for more pink-tastic glimpses into the history of ballet!
Keep dancing and may your lives always be full of pink-tinted magic!
