Hello, lovely lovelies! Emma here, your friendly neighbourhood time-travelling ballerina, ready to take you on another fabulous journey through the history of our beloved ballet. This month, we're venturing to the vibrant, romantic city of Paris! Yes, darlings, our destination is the year 1937. March in Paris? Now that’s a dreamy combination, don’t you think?
As always, Magic Meg, my shimmering pink Shire with the golden hooves and white mane like spun moonlight, patiently awaits, ready to whisk us through the centuries. Today’s adventure takes us back to an era where Art Deco style ruled the day, and a wave of new ballet choreographers emerged, changing the landscape of dance forever. Can you imagine? My rucksack is practically bursting with excitement!
A City Alive with Ballet: 1937 Paris
Stepping out into the bustling streets of 1937 Paris, I am instantly transported into a world of swirling café tables, gentle music floating from elegant salons, and beautiful, intricately crafted gowns. My pink tutu twirls effortlessly in the Parisian breeze, making a delightfully contrasting splash against the dark stone architecture. The Parisians, ever the chic and stylish folk, seem less surprised by my presence than they are impressed with the exquisite sparkle of Magic Meg's pink coat. It seems horses aren’t quite as commonplace in Paris as they are in Derbyshire, so I do make quite the statement! But honestly, who isn't delighted by the sight of a sparkly, magical pink horse?
This vibrant city was buzzing with ballet in 1937. Imagine - the legendary Sergei Diaghilev’s Ballets Russes was in its final years, touring Europe with a kaleidoscope of extraordinary dancers, and the Ballet de l’Opéra de Paris, known today for its spectacular grand ballet productions, was on the cusp of achieving new heights. I have my sights set on seeing both!
The Legacy of the Ballets Russes
I manage to find my way to the Grand Palais, the location of one of Diaghilev’s stunning productions. The ballet that night is Le Sacre du Printemps ("The Rite of Spring"). Even though this piece, known for its wild, primitive style, wasn’t met with overwhelming applause at its premiere in 1913, it is now considered a landmark in modern dance, one of the boldest creations of the era. To think I’m seeing the same choreography performed for those who came before, the same captivating story brought to life. The thrill of it almost takes my breath away!
Ballet on the Streets of Paris
I also take the opportunity to watch some dancers in public squares, where I discover something utterly delightful. Street ballet! The Paris of the late 1930s has a captivating buzz of activity, with street dancers and mime artists drawing small crowds who clap and applaud. It's an energetic blend of ballet, music, and visual storytelling, a charming form of performance art which continues to this day, making dance accessible to everyone. I even spotted a dancer, perhaps inspired by Serge Lifar, performing his elegant choreography on Place de la Concorde. It’s clear ballet is woven into the fabric of Parisian life.
The World of Ballet Fashion in Paris
Naturally, a visit to Paris, even a brief one, must include a visit to the couture houses! Fashion is intrinsically linked to ballet, a constant conversation between movement, elegance, and design. My latest pink tutu arrived for me by time-travel delivery this morning. This time, it features sparkly pink velvet accents and matching tulle streamers which wave dramatically as I dance. I decided on the color as it reminded me of the "Ballet Russes" aesthetic which favoured an array of vivid hues - vibrant pinks, emeralds, and gold.
At the House of Chanel, I'm captivated by the modern and stylish dresses of the era - dresses with flowing fabrics and simple elegance, much like a graceful arabesque! I particularly love Coco Chanel's iconic “little black dress" - a masterpiece of timeless style. It reminded me that, even in ballet, fashion goes beyond mere outward adornment. The silhouettes, fabrics, and details - they all create a visual narrative. It’s about the art of showcasing the beauty of movement through clothing.
From Fashion to Food
No visit to Paris, especially in March, is complete without a delightful croissant. With my tummy happy, I journey to the Musée Carnavalet to learn about Parisian history through its charming, vintage collection of artefacts. Amongst all the beautiful art and architecture of the era, there was something I spotted that was deeply meaningful to me: a tiny dance shoe. A single, delicate shoe. The little ballerina who wore this shoe has probably gone on to be a grown woman, perhaps even an elder by now, if she's still alive. I wonder what stories her little feet have told!
Remembering Ballet's Golden Era
Even though we are in a new century, 1937 is a significant moment in ballet's past. This is when the era of legendary dancer Anna Pavlova drew to a close. It’s a powerful reminder of how, just as dancers evolve and new trends emerge, the beauty and artistry of ballet has been passed down like a baton in a relay race, from generation to generation.
As the Parisian sun sets, painting the sky in hues of rosy pink, I take one last graceful twirl on the cobblestones. It's been an enchanting day, one filled with breathtaking ballet performances, fashion delights, and delicious food. What more could a ballet lover ask for?
Until next time, darlings.
Don’t forget to visit www.pink-tutu.com and share your ballet dreams, fashion finds, and favourite dance moments with me. Happy dancing, everyone! 💖🩰
This is post # 4515, published on www.pink-tutu.com
