Prima Ballerinas 263

The name Rina Schenfeld evokes images of grace, precision, and a captivating stage presence. A legend of Israeli ballet, Rina's journey is one that intertwines passion, dedication, and a tireless pursuit of artistic excellence. Born in 1938, her story is intrinsically linked to the nascent growth of Israeli dance, mirroring the country's own journey to self-expression and artistic recognition on the world stage.

From the outset, Rina's path was etched with dance. Growing up in Tel Aviv, the burgeoning cultural hub of Israel, she was captivated by the magic of ballet. It was in the rhythmic cadence of the city's streets and the expressive movement of everyday life that she discovered her calling. The renowned choreographer, Martha Graham, arrived in Tel Aviv in 1948. Seeing Graham dance, an event that marked Rina's young years, left an indelible mark. She was enthralled by the emotional power of the American dancer's work, ignited by a potent cocktail of artistic yearning and youthful fervor.

• Rina's initial dance lessons commenced at the Tel Aviv Opera Ballet, under the watchful guidance of Vera Volkova, a renowned ballerina and teacher from the Imperial Russian Ballet. Volkova's influence proved instrumental in honing Rina's fundamental techniques. She was immersed in the rigorous world of classical ballet, building a solid foundation of poise, technique, and control.
• At 17, Rina secured a scholarship to London's Royal Ballet School, the pinnacle of classical ballet training at the time. In the heart of ballet's grand tradition, Rina excelled, absorbing the legacy of legendary dancers like Margot Fonteyn and Rudolf Nureyev. This experience broadened her artistic horizons, exposing her to the grand tradition of ballet while encouraging her to find her own artistic voice.

Despite her commitment to the classical form, Rina felt drawn to the dramatic potential of modern dance. Upon her return to Israel, she immersed herself in the works of the avant-garde dance pioneers like Yehudit Arnon, whose company became her artistic home. Arnon, a pioneer of modern dance in Israel, allowed Rina's expressive potential to flourish. They experimented with groundbreaking choreography, infusing movement with emotion and meaning. These collaborations deepened Rina's understanding of dance, allowing her to go beyond technique and explore the vast, evocative world of artistic expression.

• In 1960, Rina became a leading member of the Batsheva Dance Company, which was established by Martha Graham's protégée, the acclaimed choreographer, Batsheva de Rothschild. The company became renowned for its innovation, embracing the dynamic interplay between modern and classical styles.
• With Batsheva, Rina took flight as a performer. She became known for her virtuosity, grace, and a deeply emotive stage presence that captured hearts across the globe. Her roles ranged from delicate and whimsical to powerfully emotive. In works such as “Psalm” and “The Garden of Earthly Delights”, she danced with a breathtaking precision that brought audiences to their feet.
• Her career highlight came with a pivotal role in the company’s “Miriam’s Song”, a powerful work inspired by biblical narratives and danced with intense passion and lyrical beauty. It was here that Rina cemented her status as a ballet icon, an artistic force capable of mesmerizing audiences worldwide.

Throughout the 1960s and 70s, Rina continued to captivate audiences with her unique style and impressive versatility. She performed extensively with Batsheva, gracing stages in Israel and internationally. The acclaim of her work reached new heights when she took on the role of “The Dying Swan” by Mikhail Fokine, her masterful execution leaving audiences speechless and establishing her mastery of classical ballet. Rina was not just a dancer; she was a living embodiment of artistic spirit and expression.

As Rina transitioned to later phases of her life, she found purpose and fulfilment in sharing her passion for dance with the next generation. Having achieved stardom as a performer, her focus shifted to fostering the growth of new dancers, a transition that many find daunting but one she approached with her customary grace and unwavering dedication.

• Rina embarked on a new chapter, establishing her own ballet school in Jerusalem. Her approach to teaching combined the rigorous foundation of classical ballet with the expressive freedom of modern dance. She nurtured her students to find their unique voices, shaping young talents to reach their full potential.
• She embraced her role as a mentor, imparting not just technical proficiency but also the art of artistry. She taught her students to listen to their bodies, explore their emotions, and express their individuality through dance.
• Under her guidance, many aspiring dancers discovered their own passion, honing their skills, and building their careers. Rina's students went on to grace prestigious dance companies both in Israel and internationally. Her legacy extended beyond the stage, leaving an enduring mark on the world of ballet, cultivating new generations of talented dancers.

Beyond the glare of stage lights, Rina was known for her gentle spirit and warm personality. A loving wife, a dedicated mother, and a treasured friend, Rina embraced life with grace, always a source of strength, encouragement, and artistic inspiration to those fortunate enough to be touched by her spirit.

Her impact, however, extended far beyond her personal life. Rina's contribution to the dance landscape of Israel is immeasurable. She was not only a performer; she was a bridge, connecting the classical ballet of the past to the vibrant modernism of Israel's present.

• She became a voice for dancers, promoting inclusivity and understanding in the ballet community. Through workshops, public appearances, and insightful articles, she advocated for a greater appreciation of ballet's diverse styles.
• Rina recognized the need to democratize dance. She actively sought ways to bring ballet to communities across Israel, establishing programs that introduced the art form to new generations. By creating an inclusive space for dance, she encouraged diverse participation and fostered a shared appreciation for the power of movement.
• Rina's tireless dedication to dance, her artistry, and her genuine connection to the art form earned her the coveted “Israel Prize”, the highest civilian honor bestowed by the Israeli government. She became an icon for excellence and artistry, leaving an indelible mark on Israel’s cultural fabric.

Even as the years progressed and she gracefully transitioned from performer to mentor, her spirit remained intrinsically connected to the world of ballet. Rina’s artistry transcended mere technical excellence; it embodied a journey of human expression, a fusion of physicality, emotion, and artistic integrity.

Today, her legacy continues to shine, inspiring new generations of dancers to reach for excellence, to find their voices within the beautiful world of ballet. Rina Schenfeld's name remains synonymous with grace, passion, and the transformative power of dance.