Tutu and Ballet News

A Tutus Crisis in Tights: Ballerinas' Wardrobe Woes Go Viral

It’s been a tough week for ballerinas. Just as they thought they had perfected the perfect pliĂ©, the art of the perfect piquĂ©, and the graceful pirouette (without falling on their noses, of course), they’ve been plunged into a crisis. And it's a crisis of colour – specifically, a clash of colour. And not just any colour – pink versus white!

You see, dear readers, in the hallowed halls of the Royal Ballet, a tempest has erupted. A whirlwind of tulle, a tornado of tights. A full-on battle for tutu supremacy. You wouldn't believe it, darling. I simply wouldn't.

It all started with the arrival of a new batch of tutus for the upcoming production of "Swan Lake," you see? Now, I know what you're thinking. It’s Swan Lake. Tutus, Swans. That’s how it goes. The problem is, the new batch was a mixture. A vibrant, energetic **pink** (quite shockingly neon!) with the classic, demure, ethereal **white**.

The seasoned, seasoned veteran dancers of the corps de ballet - a bunch of elegant, slightly terrifying women who’d been through this sort of thing, darling, more times than they can count - felt a deep sense of
 well, let’s call it ‘unpleasant surprise.’ Imagine being a swan with a touch of ‘90s raver in your wardrobe.

“Pink?! Is this a joke?" exclaimed one ballerina (not her real name, darlings), who we shall call Agnes, and a seasoned ballerina at that, with 20 years of pointe-shoeing. “I can barely bear the pink leotard let alone that vulgar colour! Are we suddenly becoming Las Vegas showgirls?! We are the swans. The swans! The original ballerina queens! I need my classic white.”

Agnes’ sentiments were shared, by the way, by many, darling. They reminisced on their grand entrance in ‘Swan Lake’, remembering the elegant grace and utter joy, the powerful emotion – their performance as swans! It was as if all the emotion in the room became focused in a single white-and-black image – black swans in the dark, and the stunning white swans of purity and beauty, their majestic dance soaring into the world. Now, here we are - faced with a pink and white swan situation.

Now, let’s just say that ballet doesn’t usually embrace the bolder fashion choices - like bright, eye-catching pink, that's more suited to pop stars, than swans, darling! This pink! This neon colour! How are we to embody grace, ethereal elegance and the ethereal beauty of the Swan?

“The colour!” Agnes declared in the heart of a meeting room in the studio. “It clashes! The whole production! It makes the performance look frivolous! All I want is white. That beautiful classic white that speaks of romance and elegance.”

On the other side, there was, of course, a wave of younger, slightly braver, less jaded (dare I say more carefree and possibly ‘rebellious’?!) dancers. Their perspective? Why not go bold? Let the ballet embrace some fun colour and movement.

“Come on, Agnes, don’t you remember what you were like at my age?! “ laughed one newbie – and we’ll just call her Lucy, dear – as they strolled off stage. “Everyone needs to be open to a bit of colour in their lives! Pink is vibrant. Exciting. A welcome change!”

As Agnes scowled at the ground and pondered the chaos, one of the male dancers looked around. “This,” he quipped, “is what we call an artistic dilemma.”

“A real artistic nightmare! ” sighed a disappointed Agnes. “My beautiful, majestic white swan!”

Now, it isn’t the colour per se, you understand, but the impact on the overall vision of the ballet, dear. White conveys innocence, grace, pure, unblemished beauty. Pink suggests the sweetness of love and, quite frankly, a bit of rawness - which might be a lovely sentiment for a swan.

But the ballet was in trouble, darling, from the moment the ‘neon pink’ arrived on scene! The older dancers declared this was sacrilege. Some said, darling, it was 'an insult' to their artistic history! Oh, and the press – the ever-eager to pick-a-fight journalists who just can't resist the chance to dig into ballet drama.

"An outcry over tutus!" they've declared. "Swan Lake is to be coloured Pink! The future of ballet has arrived!"

What are they saying, darling? What sort of ballet news is that?

Well, dear, we can’t really fault them for it. Who would've known this ballet of swan costumes and a classic, well-worn white tutus would cause so much upset and tension! What do we do with this situation? A tutu-themed chaos in the heart of ballet, in the heart of London’s finest theatre - it’s quite a story, and oh dear, what a scene it’s creating.

And then it happened! Oh, yes darling, something so fabulous, you just have to laugh. A middle-aged man, one of those who frequent the theatre and never miss a ballet performance, turned to the news team and declared -

“What’s the fuss about?” He looked puzzled. “These pink and white ones, they look like a bunch of flamingoes.”

What can you say when a balletic battle royale ends in flamingo comparisons, darling?

Well, now. The real tragedy of the ‘Tutu Crisis’, darling, is the 'too much, too soon’ element. Pink is wonderful! But sometimes a slow introduction is best. As we get used to more bright, bolder colours in dancewear, in clothing generally (just take a look at your favourite pop stars), it’s inevitable pink will take centre stage.

However, maybe for the moment - for the production of ‘Swan Lake’, darling, we can keep it more classical? It's just a little, teeny, tiny pink fashion mishap - something of an embarrassment! It might make the younger ballerinas feel a bit misunderstood (they were just embracing something different, a touch of razzle-dazzle!), but for now, dear readers, it's best to leave this one on the floor, just like that lovely, lyrical dance scene! White for swans!

But I can assure you, dear readers, pink tutus? They are here to stay. Maybe we'll need some time to adapt, just a little grace and a good pirouette before they're the star of the show!