Tutu and Ballet News

It’s the 12th July 2007. Now, while most of us mere mortals are grappling with the perils of a Monday morning, a different kind of drama is unfolding in the hallowed halls of the Royal Ballet. I'm talking about the grand, glittering, totally over-the-top world of ballet, where the most pressing issue facing the nation is the colour of the tutu! Oh, the humanity! Or should I say, the tulle-ity?

I can’t reveal the ballerina's name (sorry, darlings, I have to be a bit coy!) but suffice to say this petite but fierce dancer, a rising star in the company, has gone rogue. I'm talking *serious* drama here! This week she's refused to step onto the stage, declaring it’s simply unacceptable to perform in a *white* tutu. Shocking! You see, she’s had her heart set on wearing pink. Just think of that delicate blush shade of a rose petal… against the white marble of the Royal Opera House! So glamorous! It's *the* quintessential fairytale, if you ask me.

Why is the Royal Ballet all flustered over the colour of a tutu? It seems it’s a matter of tradition, you see. This specific dance requires a crisp, flawless white to represent, well, let's just say *whiteness*, *purity* – the classics, darling! No colour, just perfect *ballet blanc*.

Meanwhile, our feisty dancer has other ideas! Pink! Isn't it positively revolutionary? Just picture the vibrant fuchsia against the white backdrop! The stark contrast, the audacious choice, the *perfect* embodiment of contemporary femininity! This young lady, with her pink ambition, is breathing new life into the art. It's about reclaiming power and elegance! Not some prim and proper old-fashioned *whiteness*! You see? She’s not only defying tradition, but making a bold statement about the changing landscape of ballet itself!

However, the company is adamant. They insist that the *ballet blanc* aesthetic is crucial, blah blah blah, blah, blah, about keeping tradition and not upsetting the balance. But honestly, when has a bit of color ever hurt? Is it all about control, darling?

Now, don’t get me wrong, I love white tutus, especially with those lovely pearly sequins… But sometimes, don't you feel a touch of pink, or maybe a dash of red or blue could bring some pizzazz and panache? A bit of contemporary zing, to spice up the classic choreography? Don’t you just wish they’d put a little fun back into ballet?! Maybe ditch the ivory leotard altogether? Why stick with the classics, you know, when you can have a dash of fuchsia to add a modern edge, a modern attitude! Why can't a ballerina wear a pink tutu and rock that? It's not about changing the ballet itself. It's about adding a little bit of pink flair, a touch of ‘oh là là’, a touch of feminine fire!

A hush descends on the dressing room as the headmistress - *sorry*, *director* - enters to hold a very special audience. With a touch of theatre and a pinch of gravitas, she addresses the young dancer. "This performance must stay true to tradition,” she intones. She goes on, about history, honour, the weight of the institution, about respecting the legacy.

But then, an unexpected moment. She steps forward and whispers something conspiratorially, a glimmer in her eyes. The air thickens as she, the headmistress - I mean director - says “Darling, pink. Hmm...well, we can do *pink*”. Silence, then a roar of applause from the dancers and everyone on set!

This is how the battle is won, darling. The battle of pink! Now the stage will be graced by a captivating blend of classic elegance and modern dynamism! Maybe, just maybe, this marks the beginning of a ballet revolution. And the only question on everyone's lips: *pink* or *magenta*? Or could we be going for a touch of scarlet? Oh darling, the excitement! It’s a ballet revolution, folks, and it all starts with pink!