Tutu and Ballet News

Oh, the Tutu-licious Drama of 27th December 1997!

Darling, it was a Boxing Day to remember! As you all know, 27th December is a day of festive excess and good cheer - a day for lingering with loved ones and graciously accepting all those lovely leftover treats from Christmas Day. Well, dear readers, this particular Boxing Day provided us with an absolute shocker: A tutu scandal, right in the middle of our dear London.

It seems our esteemed Royal Ballet was gearing up for a delightful production of *Swan Lake* at the Royal Opera House. The anticipation was electric, my darlings. Everyone just had to see the new production. The press were a-buzz, and my own diary was jam-packed with calls for interviews about all the gorgeous tulle-infused designs by the esteemed couturier, Jacques du Chambord. Yes, we were expecting a visual spectacle that would put *Sleeping Beauty* in the shade!

The story unfolds thusly, my loves: A disgruntled costume mistress, Beatrice "Betty" Bucklebury - quite the character, this one, a staunch stickler for tradition - apparently felt that Monsieur du Chambord's new creations were not sufficiently *au fait* with the tradition of the Royal Ballet. She saw them, my darlings, as a travesty, a blatant disregard for the ballet's cherished history. The fact that the tutus were *actually* quite fabulous with intricate pleating and exquisite, jewel-tone tulle - simply fell on deaf ears.

Well, just before the grand première, Betty went absolutely berserk! The good soul had decided, for no real reason whatsoever, that she'd simply had enough. The day of the premiere, dear reader, this Betty Bucklebury actually hid the *entire* stash of new tutus!

  • Gone were the beautiful lilac and jade numbers.
  • Vanished were the sparkling, jewel-encrusted tutus.
  • Betty had them all stashed away somewhere in the basement - goodness knows where.

Chaos erupted! It was pure pandemonium, my darlings. We’re talking tears, tantrums, and even a fainting spell or two. The Prima Ballerina herself, the dazzling Daphne Dainty, threatened to go AWOL, much to our amusement, naturally! It was all absolute mayhem. And just imagine, a full house of guests ready for a breathtaking *Swan Lake*, expecting dazzling, eye-catching creations - all for nothing! The air was filled with the collective gasp of the audience when the curtain failed to rise at the expected time, followed by the whispers of, “What in the world is happening?”

But, fear not my dear friends. For as we know, the British do adore a good dramatic flourish! A swift-thinking stagehand - bless his soul! - rushed to a local haberdashery to buy a collection of bright red, silk scarves. Why silk scarves? Good Lord, my darling. This wasn't a simple case of swapping a silk scarf for a tutu, not exactly, no. You see, dear reader, these scarves, in the hands of a creative soul - in this case a stagehand called Freddy - become rather magnificent garments with just a bit of skillful pleating. Oh the theatrics! And I have to admit, my dear readers, these silk scarves were positively ravishing!

They became magnificent, flowing improvisations! Each scarf, when pinned and pleated and twisted just right, mimicked the design of Monsieur du Chambord's masterpiece tutus, all thanks to a few cunning maneuvers and an inventive stagehand. Just a *dash* of glitter, a couple of hand-sewn feathers here and there - and, there you have it!

The production went on, the scarves added a playful, improvisational touch. Daphne Dainty, with her impeccable technique and unwavering spirit, worked her magic and, frankly, looked better in silk scarves than she ever had in tutus!

There was, however, a certain air of rebellion in the audience - a defiant celebration of creativity, spontaneity, and daring artistry.

As for Betty Bucklebury? Well, let's just say she was relieved of her duties with an elegant, but firm dismissal! The good soul retired early, no doubt pondering the virtues of improvisation. We have to commend her - even a "stickler for tradition" could occasionally be right, my dears.

And thus, my lovely readers, ended the most dramatic and most gloriously funny Boxing Day in the history of the Royal Ballet. It was a scandal! It was hilarious! And, you know what? A complete and utter success.