Dearest darlings, The summer season is in full swing, and as always, the world of ballet is abuzz with excitement. I simply must tell you all about the divine spectacles I've been fortunate enough to witness in recent weeks. From the glittering grandeur of the Paris Opera to the intimate charm of a small theatre in Prague, my dance shoes have traversed continents, leaving a trail of tulle and twinkling toes in their wake.
First stop, Paris, where the air crackles with Gallic chic and artistic élan. The Opéra Garnier, that opulent, awe-inspiring space, was the setting for the most ravishing production of "La Bayadère". Oh, the sheer artistry of it all! The Corps de Ballet, in their exquisitely embroidered costumes, moved like a silken wave, their precise movements hypnotically beautiful. And the role of Nikiya, a role famously danced by Anna Pavlova herself, was embodied with a depth of emotion that took my breath away. The fiery, sensual Nikia's tragic fate resonated deeply, leaving a lasting impression.
From Paris, I jetted off to the sunny shores of California for the opening night of the San Francisco Ballet’s season. This time, it was the exquisite "Giselle" that held my rapt attention. You know, "Giselle" has always been close to my heart. There's a particular, raw honesty to the story that speaks to me. And this production truly delivered! The choreography was vibrant, breathing fresh life into a classic, while the performances were nothing short of spectacular. The leading roles were played by two young stars who are clearly destined for great things.
But let's talk about the costume designs for a moment! Exquisite! The shimmering, translucent fabrics in a spectrum of greens, pinks, and creams were a pure delight to behold. It felt almost like a glimpse into a fairy tale, a dreamworld come alive. I can’t help but add that this is also a piece that challenges our perception of femininity, delving into the heart of loss and obsession. A powerful narrative brought to life through beautiful and heart-wrenching movements.
The highlight of my recent travels was a completely unexpected and unforgettable experience. In a tucked away corner of Prague, I discovered the most intimate and magical little ballet theatre, where a company of young, passionate dancers performed an original production inspired by the works of the artist Klimt. “Klimt’s Muse” is the title, and its essence captured the vibrancy and allure of his paintings.
There's a distinct charm in a smaller theatre - it makes the dance so intimate. Each gesture is magnified. Every nuance is apparent. The young dancers moved with a palpable excitement, each step charged with raw energy. It was a real testament to the raw passion of art, especially within the constraints of a smaller space.
I’m a sucker for original choreography and this piece had such beautiful movements. They moved seamlessly through scenes reminiscent of Klimt's signature swirling patterns and opulent gold hues, the dancers literally inhabiting his canvases. They even incorporated gold accents into the costumes which further accentuated their beautifully lit forms, It’s hard to articulate just how profoundly moved I felt watching those young dancers dance their souls out on stage.
Of course, a ballet season isn't complete without a foray into the realm of modern dance. A recent performance of "A Body for Sale" by Merce Cunningham's company left me both intrigued and perplexed. The piece, full of jerky, angular movements, felt very unconventional for a classic ballet audience.
It certainly wasn't "pretty", not in the traditional sense, and challenged every preconceived notion I have about graceful and flowing ballet movements. But for that, I truly admired it. I always respect artists that dare to break free from expectations. Cunningham, as a legend in modern dance, managed to capture that abstract concept of movement and presented a compelling and controversial interpretation of a human body reduced to an object of desire.
In London, the Royal Opera House is hosting "Swan Lake" again, with all its imposing grandiosity and theatrical prowess. As a ballerina, it's almost impossible not to feel some kind of reverence when it comes to the classic, "Swan Lake". To my eye, it's still a showstopping performance with dazzling sets and costumes, and the ballerina's ethereal grace was enchanting.
Despite the sheer talent on stage, it was somewhat disappointing, a production lacking freshness or depth. After all these years of watching "Swan Lake", I’d hoped for more innovation. I want something that truly surprises, a daring interpretation or a powerful new perspective. Perhaps that's too much to ask of such a celebrated piece. After all, "Swan Lake" is almost a museum piece - revered but not always revolutionary.
So there you have it, darlings, a glimpse into my jet-setting dance life and the extraordinary ballets I've enjoyed this summer. I'm off to Rome for the next stop in my dance adventures, to take in a performance by Roberto Bolle's company.
Keep an eye on my social pages, dearies, for snapshots from my latest travels and a taste of the gorgeous performances I'll share. Remember to always embrace the magic and power of ballet. It’s truly a gift, to experience this captivating artform through its beauty and raw emotional intensity.
Yours truly, Serena