The Prima Ballerina’s Diary: January 2010
Darlings! What a fabulous way to start the year! I am positively buzzing after a whirlwind tour of some of the most incredible performances this January. From the glittering stages of Paris to the intimate charm of a little gem in Budapest, I have witnessed some truly divine displays of artistic grace and athleticism.
First stop, the *grand dame* herself: Paris Opera Ballet’s production of *Giselle*, the ultimate test of both technical brilliance and emotive power. And let me tell you, this cast rose to the occasion with a breathtaking display of artistry. The *corps de ballet*, ethereal in their white tutus, were as delicate and fragile as porcelain, while the principals soared with such effortless ease and control that they were almost like wisps of smoke. I found myself completely enthralled by the nuanced portrayal of passion, betrayal, and loss. There's nothing quite like experiencing the raw emotion of *Giselle* in such a prestigious setting.
While in Paris, I also popped over to the Opéra Comique for a delightful dose of *La Traviata*. Yes, opera, darling! You know I'm not just about ballet, but a true connoisseur of all the performing arts. This was an entirely different kind of performance, a tale of love, heartbreak, and sacrifice. But despite its tragedy, the vibrant melodies and soaring vocals were such a treat for the ears. It felt utterly decadent, and I couldn’t help but be transported back to a romantic bygone era.
Next, a hop across the English Channel for a little bit of London’s renowned Sadler’s Wells. It’s an absolute treasure trove of contemporary ballet. This month, it was all about Akram Khan's *Desh*, a visceral and haunting exploration of themes of war, loss, and belonging. Khan's signature blend of traditional Indian dance forms and modern, often athletic movements was a real visual feast. The dancers, stripped down to bare flesh, spoke volumes with their raw, physical storytelling. You could practically feel their desperation and yearning.
From the London bustle to the charming heart of Budapest, I journeyed to witness a magical production by the Hungarian State Opera Ballet. Now, you know me, I always have a weakness for the classics, and *Swan Lake* never disappoints. This production felt especially intimate and affecting. The ballerina playing Odette and Odile was remarkable in her duality - she possessed a haunting ethereal grace as the White Swan, transitioning effortlessly into the sensual darkness of the Black Swan. The Hungarian orchestra, as always, was exquisite, accompanying the performance with a delicate sensitivity. What a treat to lose myself in such a beautifully performed, timeless masterpiece.
Of course, no January ballet review would be complete without mentioning the sheer brilliance of The Bolshoi Ballet. The *Nutcracker*, a staple for the holiday season, is back with a vengeance, showcasing the virtuosity of these phenomenal dancers. Every pirouette was perfectly honed, every leap a spectacle of precision and grace. And as always, I was mesmerized by the sheer scale and splendour of the production, the shimmering costumes, and the lavish scenery. If you ever get the chance to catch this ballet, I highly recommend it!
While on the topic of the *Nutcracker*, I mustn't forget the enchanting version staged by the English National Ballet. I had the absolute pleasure of seeing a young, upcoming ballerina as Clara, and I am simply *blown away* by her talent. It's always wonderful to see new stars emerging and reminding us of the fresh and captivating energy they bring to our beloved art form.
Now, while all these ballets have been an absolute feast for the eyes and the soul, there was something very special about my final performance of the month. It was at the National Theatre, and it wasn't actually ballet at all, but a play titled *Black Watch* - a piece about a Scottish regiment's experience in the Iraq War.
This was, honestly, an absolutely gut-wrenching experience, one that made me question everything. The play, a combination of spoken word, dance, and physical theatre, was a powerful and unflinching portrayal of the realities of war. The physicality of the performances, the way they captured the raw emotion and the brutality of the situation, left a lasting impression. You couldn't help but be moved, to feel the immense sadness and grief. It's a show I won't easily forget.
That's all for this month, my darlings! As I head back to the studio for my own training, I'm overflowing with inspiration. Keep an eye on my social media for more glimpses into the magical world of ballet, where grace, elegance, and power collide in a glorious dance of beauty! And as always, keep it chic, keep it elegant, and keep dancing!
Yours in pointe shoes,
La Ballerina
Beyond the Spotlight
A little something for those with an interest in more than just the glitter and glamour…
- For all the passionate ballet enthusiasts, there’s a new documentary, *The Turning Point* that delves into the complex relationship between teachers and their students at the esteemed Kirov Academy of Ballet.
- Looking for the next must-have read? I simply cannot recommend the autobiography, *Ancestral Pathways: An Unforgettable Memoir* by famed choreographer Alonzo King highly enough. It's an intimate and captivating read about his unique journey in ballet and his unique artistic vision.
- If you’re in need of a beautiful ballet fix for the soul, look no further than the new collection by Dior’s designer. This latest line features exquisitely detailed ballet-inspired silhouettes and prints, perfect for the chic, art-loving, dancer at heart.