AI Ballet Review 594

## The Dance Beat: October 2017 Darlings, October always feels like the perfect month to be enveloped in a swirling cloud of tulle and feathers. The crisp autumn air awakens the soul for a season of grandiosity and emotion. The dance world, ever responsive to the changing tides, offers a feast of breathtaking performances. **London Calling** This month in London, the Royal Ballet has been my true heart's desire. *Swan Lake* at the Royal Opera House – how could I miss the iconic Odette and Odile, the majestic swans gliding on the stage? Alessandra Ferri, the divine creature she is, was mesmerizing in the dual role, perfectly embodying both the fragile swan princess and the captivating, dark swan. Her elegant movements were a study in graceful control, every step an expression of longing and vulnerability. The grandeur of the production, the dramatic score, it all transported me to another world. The Coliseum played host to Matthew Bourne's breathtaking revival of *The Car Man*. This is a raw, edgy interpretation of Bizet's classic, stripped down and infused with masculine intensity. It's almost unbearable at times, a poignant commentary on the brutal nature of lust and violence. My darling friend, the magnificent Carlos Acosta, held the stage as a brooding, mesmerizing "Car Man", radiating charisma and captivating the audience. **Across the Channel** Paris, the city of love, never fails to enthrall. The Opéra National de Paris, an elegant jewel box, unveiled *La Bayadère* with a stunning production. I was captivated by the exquisite details – the dazzling costumes, the exotic choreography, the masterful use of light and shadow. The company's superb execution of the classic choreography left me breathless. The role of Nikiya is one of the most challenging and dramatic in the repertoire, and it was perfectly realised by the divine Sylvie Guillem. Her ethereal movements, her commanding presence, and her poignant portrayal of the doomed heroine were nothing short of extraordinary. American Dreams New York is always a whirlwind, but the city seems to come alive when dance is in the air. The New York City Ballet at Lincoln Center dazzled with their Fall Season, featuring both iconic and new works. My eye was caught by Alexei Ratmansky's *Concerto DSCH*, a whimsical and beautiful ballet inspired by Tchaikovsky. This piece was full of vibrant movement and captivating visual surprises, a joyful and lighthearted take on a complex theme. Across the World The Australian Ballet, one of the jewels of the international dance scene, held the nation's breath in Melbourne with their captivating interpretation of *Romeo and Juliet*. The iconic story, reimagined by the talented Alexei Ratmansky, showcased a thrilling combination of contemporary and traditional styles. I was enchanted by the intricate details of the choreography, the emotion-laden storytelling, and the raw talent of the company. It was an absolute masterpiece. Beyond the Stage The dance world doesn’t solely reside within the four walls of theatres. There are dance films that capture the magic of live performances and push boundaries into exciting new territory. The stunning, visually-rich *First Position* offered an inspiring glimpse into the world of competitive young dancers. It's an honest and often raw depiction of talent, passion, and ambition, which resonates deeply. The captivating *Dancer* by Steven Cantor delves into the complexities of the human body, the artistry of movement, and the life of an extraordinary dancer - a deeply poignant look at the joy and pain that drive artistry. **A Word on Fashion** My dear readers, let's talk fashion. Ballet costumes, when done right, are truly breathtaking works of art. I am particularly captivated by the costumes for *The Car Man* – sharp lines, sharp edges, a touch of rebellion in the form of leather and chains. They perfectly reflect the grit and masculinity of the work, with a rebellious edge that was truly captivating. And for *Swan Lake*? That cloud of tulle! Such ethereal elegance, an elegant symphony of white and black, transforming a graceful woman into a majestic swan. And for the glamorous evenings at the ballet, what can one wear? Something bold, darling, a dress that whispers “effortless chic.” A black velvet evening dress with a hint of shimmering embellishment, or perhaps a tailored tuxedo dress with sharp tailoring and impeccable fit. A pop of colour - a vibrant scarlet or a deep jewel tone, will certainly turn heads. But remember, darling, it's all about the effortless finesse. The dance world, ever-evolving, never ceases to inspire. Whether on stage, on screen, or in the form of a beautifully crafted ballet costume, it offers a symphony of emotions, stories and expressions that will stay with us long after the curtains fall. October, darling, will truly be a month to remember.