AI Ballet Outfit Design 628

September 2005: A Dance Through the Seasons

My darlings, it's the start of September, and autumn's chill is already settling in the air, a crispness that stirs the senses and makes one want to glide across the stage, an ethereal being lost in the swirling music of the season. The world of dance, as ever, is ablaze with colour, a kaleidoscope of movement, emotion and grace. Let me guide you through some of the breathtaking performances I have had the pleasure of experiencing this month.

Let's begin, shall we, with the quintessential city of ballet – London. The Royal Opera House has been, as always, a whirlwind of activity. This month saw the triumphant return of Natalia Osipova in “Giselle” – that girl has a strength and a pathos that leaves you utterly spellbound. You could have heard a pin drop in the auditorium as she wept over her betrayed love, the silent anguish translating through every fibre of her being. And to watch her fly – oh my – it was pure enchantment.

Speaking of enchantment, “The Sleeping Beauty”, in a completely revamped staging with the most stunning costumes you can imagine, was simply magical. And let’s not forget the dancing. The Royal Ballet dancers – so meticulous, so disciplined, they make it look effortlessly divine. From the elegant, controlled phrasing of Edward Watson as the Prince, to the ethereal grace of Alina Cojocaru as the Sleeping Beauty, it was a breathtaking journey. Of course, it would be remiss of me to forget the wonderful, wonderfully grotesque, Caradoc and his little troupe of impish friends – I laughed till I cried. Oh, London, how you do keep the magic alive.

There was a real buzz of excitement this month about the reopening of the Sadler's Wells Theatre. And they certainly chose a winning opening performance - Rambert Dance Company with their captivating rendition of “In the Middle, Somewhat Elevated”. The dancers were so utterly mesmerising; their bodies an alphabet of fluid articulation and controlled force. They explored a captivating and raw space, with such clarity, such honesty and precision – I just wanted to soak it all in. And the music! You could feel every note vibrated through your very soul. What a powerful way to reawaken this wonderful theatre. I must confess, darlings, the new seating was a revelation! Those plush, burgundy seats, all curves and comfort – heaven!

Now, on to the Continent, where ballet continues to bloom. In Paris, the Opera de Paris unveiled a new “La Bayadère” – utterly gorgeous. It seemed like a tribute to the golden age of classical ballet. The dancers, as always, exuded a level of “je ne sais quoi” – so effortlessly elegant and stylish. But the real stand-out performance came from the sublime Sylvie Guillem, she danced Nikiya with a breathtaking intensity. You could see years of training in the controlled power, the subtle shift of weight in her movements – exquisite. The scene in the Temple of the Sun? Pure ecstasy.

Meanwhile, in Moscow, the Bolshoi Theatre showcased “Romeo and Juliet”. You know I've always had a soft spot for this ballet, and I must say, the Bolshoi dancers are an utter revelation – they dance with such spirit, such a thrilling, explosive joy. The passion was palpable, the choreography brought to life with an intensity I found truly compelling. But darling, they had some technical issues with the sound system. Not entirely surprising in a venue of such grandiosity, but it did spoil a moment or two.

And in Vienna, it was “Swan Lake” at the Vienna State Opera. It’s so very classical, and elegant. This performance featured the Vienna State Ballet, with some beautifully polished performances from their young stars. And while I might have missed the fiery passion I associate with the Russians, the artistry was undeniable. It was truly a privilege to be transported back to a time of romance, chivalry, and those exquisite, diaphanous tutus – just like a beautiful dream.

But dear reader, my journeys weren't just confined to Europe! This month saw me in the vibrant and dynamic world of American ballet. First, I saw the American Ballet Theatre's “The Nutcracker” at the Metropolitan Opera House. The New York season of “Nutcracker” always exudes a special, enchanted atmosphere. I am particularly fond of that elegant choreography which flows seamlessly with the music. The sets and costumes, especially for the Sugarplum Fairy's kingdom, are exquisite. It is a perfect celebration of childhood wonder.

I couldn't leave America without catching "Swan Lake" at the San Francisco Ballet. I adore their new choreographer, Helgi Tomasson, whose staging of the ballet is a real work of art. It captured the beauty and tragedy of the story with subtlety and depth, never losing sight of its essential core. And speaking of depth, there is simply no other ballerina like Yuan Yuan Tan - her performance as the White Swan is both tender and fiercely powerful, each arabesque an embodiment of refined elegance.

While on my adventures, I discovered an enchanting world beyond the ballet stage itself. In London, a visit to the Victoria & Albert Museum's exhibition, “Degas: A New Vision”, was simply sublime. To see his iconic paintings and sculptures come alive, their movement almost tangible, it was a profound experience. And oh, the artistry of his women in their swirling tutus, a study of refined motion captured in such exquisite detail. A real delight.

Later, I enjoyed an exquisite dinner at Le Chat Noir, the newest French restaurant to grace London’s Mayfair. Their ambiance was like stepping back in time – a delicious mix of modern glamour with a hint of 1920s sophistication. The food – heavenly, my darling! A feast for the senses. I would highly recommend their signature "Duck a l'Orange". It's the perfect indulgence after an evening at the ballet.

The month of September is drawing to a close, the crisp autumn air beckoning us all inside for an evening of entertainment. But fear not, my dear reader! The dance season is far from over! In October, I hear, the Paris Opera will be presenting a spectacular production of "Carmen" with the ever-fabulous Sylvie Guillem as the seductive, fiery Carmen herself.

In November, the Royal Opera House is hosting the world premiere of the new choreography by Wayne McGregor. He has a way with the classical ballets that is truly thrilling. I will, of course, be there.

And in December – the magic of "The Nutcracker" sweeps the world again, spreading its enchanted dust over our hearts. There will be no better way to celebrate the festive season.

Now, do go, put on your finest attire, and be swept away by the power and beauty of ballet. You will be transformed, elevated to another realm of imagination. As always, keep an eye out for my next review in October. I am already in the process of planning my next dance excursions!

Until then, darling!