Ballet Byline: March 2021
"There's nothing that says you can't reinvent yourself, that you can't have a rebirth at any point in your life..." - **Twyla Tharp**
Darling, as the days grow longer and the world slowly sheds its winter coat, we embrace a renewed sense of grace, energy, and vitality. What better way to honour this transition than to immerse ourselves in the magic of ballet?
This March, we've had the exquisite pleasure of experiencing some of the most breathtaking and captivating productions from across the globe. And let me tell you, dear readers, it's been an absolute tour de force!
A Touch of Parisian Elegance
We began our journey in the City of Lights, where the Paris Opera Ballet unveiled their revival of La Bayadère. A sumptuous spectacle, this classic ballet was brought to life with opulent sets, dazzling costumes, and, of course, the breathtaking technique that defines the French tradition. We were completely mesmerized by the vibrant and sensual performance of Natalia Osipova as the enigmatic Nikiya, and the strength and mastery of Paul Marque as Solor. Her performance had a certain je ne sais quoi, a quality that left you yearning for more.
The choreography, by Marius Petipa, remains timeless in its artistry. Its intricate footwork and powerful poses captured the romance and intrigue of the story. Each step was a miniature masterpiece. The famous 'Kingdom of the Shades' sequence was, of course, a visual treat. It's almost impossible to watch this and not be struck by its sheer ethereal beauty.
A Fusion of Tradition and Innovation
Our next stop brought us to the Royal Ballet in London. The Londoners are never afraid to push the boundaries, and their latest production, a new interpretation of Romeo and Juliet by choreographer Wayne McGregor, was no exception.
The story was given a modern feel, with powerful emotions playing out against a backdrop of urban landscapes and fragmented narratives. It was a fascinating interpretation of Shakespeare's timeless love story. A juxtaposition of raw emotion and refined movement. The raw energy and breathtaking athleticism of the dancers, particularly the expressive performances of Marianela Nuñez and Federico Bonelli, captivated our every attention. This was truly a fusion of traditional and contemporary styles.
The staging was dynamic and thought-provoking, incorporating video projections and unexpected stage design elements, but there was still an elegance that ran through its heart. We were blown away by the dramatic interplay between the classical vocabulary and the bold, dynamic innovations of Wayne McGregor. His movement vocabulary was intricate and nuanced, often blending with athletic acrobatic-like elements.
A Whirlwind of American Ballet
We flew across the Atlantic for a whirlwind of American ballet excellence. In New York, the New York City Ballet took our breath away with its spring season featuring Balanchine's beloved masterpiece Agon.
This neo-classical masterpiece showcases Balanchine's trademark use of rhythmic precision and dynamic energy. The movements are captivating. The beauty of it, the sheer simplicity and clarity. The choreography allowed for individual expression, revealing a powerful story in every movement.
The company performed the ballet with effortless brilliance, their technique and poise mesmerizing. Their fluidity was breathtaking, their strength awe-inspiring, and the sense of rhythmic complexity quite extraordinary. We could see the meticulous attention to detail and discipline behind it all, which created a truly thrilling experience. And, for me, it's not just about the beauty and technical prowess of the ballet, but the depth and layers it reveals about human nature.
An Enchanting Spanish Escapade
Our ballet adventure continued to the enchanting shores of Spain, where the Compañia Nacional de Danza presented a new production of Carmen, set to Bizet's iconic score. The piece unfolded in a dazzling kaleidoscope of movement and drama.
We were deeply moved by the tragic romance between Carmen, played by Tamara Rojo, and Don José, played by Javier Torres. Their emotions poured forth through their graceful gestures and expressive postures. Every move resonated with a depth of emotion, and their interaction felt profoundly authentic and raw. And the entire company danced with such exquisite beauty, radiating both fire and elegance.
The production blended traditional Spanish dance techniques with a modern sensibility. It was a captivating blend of flamenco passion, ballet precision, and the emotional depth of Carmen's classic story.
Beyond the Ballet Shoe: Dance as a Reflection of Our Times
Our journey across the globe highlighted a fundamental truth: Ballet is an art form that transcends national boundaries and continues to resonate with audiences everywhere.
What’s important to remember, dear readers, is the depth and meaning these productions provide, whether it be the timeless allure of classical ballet or the fearless experimentation of contemporary works, ballet gives us a reflection of our own times and helps us see the world with renewed clarity and understanding. Ballet can take us away from the everyday, it allows us to reflect on life’s experiences.
Whether we are drawn to the timeless beauty of La Bayadère, the bold and daring narratives of Romeo and Juliet, or the intricate rhythms of Agon, each performance served as a reminder of the remarkable resilience and beauty that exists within humanity. The power and strength, but also the fragility.
Ballet is, and will always be, a constant, and that’s something we can all rely upon, whatever life throws at us.
Coming up in April:
- The American Ballet Theatre's season opening, featuring the world premiere of Christopher Wheeldon's The American, and an anticipated return of Balanchine's Concerto Barocco.
- A retrospective of Maurice Béjart’s iconic ballets at the Palais Garnier, including a stunning performance of Boléro.
- The National Ballet of Canada's gala showcasing a diverse selection of works by Canadian and international choreographers, including a piece by James Kudelka.
Keep an eye out for my next “Ballet Byline" as we explore April's enchanting ballet offerings!