#TutuTuesday: Ballet Tutu History: November 2nd, 1841 (Post #514)
Hello lovelies! Emma here, your favourite pink-loving ballerina blogger, and welcome to another fabulous #TutuTuesday.
It's time for our weekly journey back to the glittering world of ballet history. Today we're hopping onto the Orient Express, a little further back in time than usual, all the way to 2nd November 1841! I hope you've packed your fluffiest petticoats and your most delicate shoes – we're headed to a Parisian premiere that would change the course of dance forever.
Imagine, darlings, if you will, a stage alight with gaslights, a glittering audience in their finest finery, and in the heart of it all – Carlotta Grisi.
This incredible Italian dancer, whose movements were known for their ethereal lightness and expressive grace, is poised to take centre stage in La Fille du Régiment. You know, the one with that incredibly dramatic aria, 'Ah! Je suis triste'? Just the name, 'La Fille du Régiment' (The Daughter of the Regiment) sends chills down my spine!
Now, before we dive into the performance itself, let's have a little chat about the attire. Can we just talk about this iconic dress, the pièce de résistance – the first tutu?
As it was known in the early 19th century, a ‘tutu’ (originally a short form of ‘tutu’) wasn't the floaty confection we know and adore today, with its layers upon layers of tulle. The ‘tutu’ in 1841 was still firmly a short, slightly more fitted skirt – think the epitome of 'Belle Epoque' style – but its revolutionary, daring brevity! It freed the dancers' legs and allowed their graceful, athletic movements to be seen in a completely new way.
Think about it, my loves. A dance costume with no restrictions! That was ground-breaking! Think about the choreographic freedom it gave! Carlotta was truly at the forefront of fashion and dance, bringing this daring new silhouette to the stage. Her movements in this shorter, lighter, free-flowing skirt were considered revolutionary! It wasn't just about the costume though – it was about the power of dance, the way the female form was celebrated on stage in a completely new and daring way.
Now, about that performance… La Fille du Régiment is a classic for a reason! It's all about a young woman, Marie, who finds out that she's actually the daughter of a soldier in a famous regiment, surrounded by handsome men in uniform. She's courted by Tonio, who, let's just say, puts on a truly fabulous show. Let's be honest, we all adore a dashing, charismatic leading man!
Imagine, a woman claiming her place in a society built around traditional expectations – what a strong female character! It’s almost a ballet of empowerment, and of course, filled with some fantastic dance routines and exquisite melodies, leaving audiences in raptures! Carlotta's dancing must have been breathtakingly beautiful and exciting to witness.
To put it into perspective, before 'La Fille du Régiment,' ballet costumes were heavy, ornate, and restricted movement, they made dancers resemble mannequins. Carlotta's daring step to embrace this new garment and break free was a pivotal moment for the art of dance.
Speaking of empowerment, can we also discuss the colours used in Carlotta's tutu? While we wouldn’t associate this style of tutu with bright colours just yet, the pastel colours are the absolute height of romantic fashion of the time, representing sweetness, and elegance. There is still an element of femininity and the romantic in ballet and we can't be told it has its roots in the Victorian period.
The real joy of dance comes when the movement on stage speaks directly to the heart, you know, making your soul soar! Now that is true artistic expression! I know, you're thinking it’s like your first real 'je ne sais quoi' pink tutu, or maybe your first dance class... just exhilarating! Just the way dance should be!
So, my darlings, there you have it! Another fabulous foray into #TutuTuesday – the origins of the ballet tutu!
For the next #TutuTuesday, we will dive further back in time and revisit another milestone of ballet history – who could it be? Let me know in the comments below what historical ballerina moment you'd like to see next week. Until then, stay twirling and keep spreading those pink tutu vibes!
Your pink-tutu-loving ballerina, Emma xx
Remember, lovelies, www.pink-tutu.com for all the latest dance trends, history facts, and, of course, my favourite - #TutuTuesday blogs every Tuesday. Keep twirling and rocking that pink! Let’s get the world wearing pink tutus!
Now, off I go. The train is arriving, I am headed off on my next historical ballerina adventure, who knows what amazing sartorial surprises await? Perhaps I’ll be taking a stroll around 19th century London!
P.S. Do you think that in the future we will all be wearing pink tutus and ballet flats everywhere we go? Let me know what you think in the comments!