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#TutuTuesday Ballet Tutu History on 1842-09-13

Tutu Tuesday #559: A Glimpse Into the Past - 13th September 1842

Hello darlings! It's your favourite pink-tutu-clad time traveller, Emma, back again with another scintillating #TutuTuesday post from my time-travelling adventures.

Today, I'm taking us back to 13th September 1842, a rather ordinary day for most folks, but a day ripe with ballet history! Imagine, dear readers, London in all its bustling, industrial glory. Cobblestone streets teeming with carriages, chimney stacks reaching for the heavens, and a society abuzz with the latest theatrical innovations.

This very day, our very own dear Marie Taglioni, the queen of the ballet world, was waltzing her way through the Parisian Opera, captivating audiences with her delicate steps and ethereal grace.

Just the mention of her name brings a flutter to my heart, wouldn't you say? This petite powerhouse with her porcelain complexion, ebony hair, and an ethereal presence, changed the course of ballet history, all with the help of a little something called the tutu.

I'm practically giddy with excitement, just thinking about it! Now, you may be thinking, "Emma, surely everyone knows about the tutu!" Well, darling, perhaps you haven't heard the whole story.

You see, back in the days of Marie Taglioni, the "tutu" as we know it, with its whimsical layers and floating fabric, wasn't the norm.

Imagine those rigid, floor-length, and admittedly rather restrictive gowns the ballerinas wore before. Thankfully, Marie and the artistic genius of the period saw the need for something much lighter, something that would free the body and allow the dancer to take flight, as if borne on the wings of angels.

That's precisely where the evolution of the tutu begins!

Let me take you back to the very dawn of this now-iconic garment, the 1830s.

Before Marie's grand debut in "La Sylphide," the iconic "tutu" didn't exist. Ballet was indeed graceful, but bound by weighty costumes, long sleeves, and skirts. It was, dare I say, rather dull compared to what Marie envisioned.

It was Marie, with her daring, adventurous spirit, who broke those restrictive traditions. Her collaborator, the renowned costumer Eugène Lami, envisioned something truly revolutionary: a dress, or should I say, a "tutu," that showcased the grace and beauty of movement in its entirety.

The fabric? A delicate, gauze-like fabric that flowed with each pirouette, lending itself to fluid and lyrical movements. Gone were the cumbersome long skirts.

In their place, a flurry of lightweight fabric. It was an innovation that shocked some and enchanted others, and most importantly, unleashed a new era of ballet artistry.

Can you even imagine, darlings? All those layers, floating and twirling, like a delicate cloud, every movement expressing untold stories, whispering of otherworldly beings.

Marie's vision revolutionised dance. "La Sylphide" took audiences by storm. Audiences, entranced by the ethereal grace, applauded as the ballerina glided across the stage, seemingly defying gravity, with every flutter of her fabric skirt. The world of ballet was changed, and with it, the role of the ballerina herself, elevated to new heights.

From that point on, the "tutu" evolved and transformed, embracing its various iterations throughout history. Each decade, each style, from the romanticized tutus with their layers of frills and embellishments to the more contemporary styles, has played its role in creating a captivating history of dancewear.

I am so in love with the tutu's journey, it is nothing short of fascinating! It’s so much more than just a costume. It's a story, a symbol, and a symbol of hope and artistic expression!

It's a testament to human ingenuity and our pursuit of beauty and creativity. The evolution of the tutu has paralleled the evolution of dance, becoming an iconic part of theatre and fashion.

Now, back to the bustling London streets of 1842. Can you imagine the buzz surrounding the "tutu"? It wasn't just a new garment but a revolutionary trend that swept through London, and across the world. The "tutu" was now a fashion statement. Ladies adorned themselves in dainty layers of frills and ribbons.

This is how I came to love tutus and this is what makes me want to spread the joy and fashion of the tutu all over the world! The beauty of this story, dear reader, is that it's never ending.

This is a history of the ballet and fashion that's still being written! So, where does this all lead?

It leads to a new century, where the tutu continues to evolve! It will grace the stage, capturing imaginations and dazzling audiences.

Let us raise a glass to the enduring allure of the tutu and celebrate its journey from then to now, its enduring impact on fashion and ballet. I must go, my lovely reader, another historical dance journey calls! I shall catch you all next week for more Tutu Tuesday! Don't forget to share your tutu tales! Let's keep spreading the love!

Yours truly,

Emma, www.pink-tutu.com

#TutuTuesday Ballet Tutu History on 1842-09-13