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#TutuTuesday Ballet Tutu History on 1855-05-15

Tutu Tuesday #1220: A Glimpse into the Victorian Era of Dance! 🩰

Hello, lovelies! It's your favourite pink-tutu-clad time traveller, Emma, back again for another #TutuTuesday adventure!

Today, we're jetting back to the year 1855, a time when crinolines were all the rage, and even ladies' dancing attire mirrored the big, billowing skirts of the day. Forget about leotards, for now, it's all about romanticism and flowing fabrics!

Picture This:

Imagine yourself in a grand ballroom, the air filled with the sound of waltzing, chandeliers twinkling overhead. The ladies, a vision in white satin and ruffled skirts, glide gracefully across the floor in their* *tutus – not the modern, sleek styles we know and love today, mind you! But they were beautiful, nonetheless.

The Tutu in the Victorian Era:

Tutus in the 1850s were not called tutus. They were known as "dancing skirts" or "ballet skirts", often layered in soft tulle for that delightful swishy effect. You'd usually find them paired with a fitted bodice, typically made of satin or silk, complete with delicate embroidery and intricate detailing. The colour of choice was usually white, symbolizing innocence and purity, a hallmark of Victorian sensibilities.

This style of tutu reflected the Romantic Era of ballet, where the focus was on ethereal beauty and graceful movements. Imagine delicate flower petals, soft moonlight, and captivating love stories – that was the inspiration behind the dancing of the day, and it was truly beautiful!

Now, I must admit, there was one crucial element missing...pink! The Victorians favoured muted pastels, and while some performances would have utilised hues of lavender or blush, pink wasn't a colour widely embraced for stage wear. I find this truly unfortunate – but hey, at least I get to introduce it to them whenever I time-travel! πŸ˜„

On this date, 15th May, 1855, a most remarkable performance took place. The Paris Opera Ballet premiered a ballet entitled β€œLa Jolie Fille de Gand,” meaning β€œThe Pretty Girl of Ghent” in English. It is a stunning ballet about love, honour and redemption set in a medieval Belgian town. This particular performance set the stage for a future of ballet, paving the way for innovative choreography and stories!

The Dance & the Drama:

While ballerinas were praised for their graceful technique, they weren't just dancing; their roles were full of dramatic flair! Imagine ballet as a mixture of performance art and beautiful movement. There's a reason it's known as "the art form that transcends languages" - ballet speaks directly to the human soul, with its tales of love, loss, and redemption.

Fast-forward to modern-day ballet:

Though a world away from the intricate corseted skirts of 1855, the heart of ballet remains the same: a dedication to the power of expression and a passion for elegance, embodied by the majestic twirls and effortless leaps that capture the spirit of a hundred stories. And though the Victorians might not have been as pink-obsessed as I am, they certainly paved the way for the colourful and flamboyant world of ballet that we know and love today!

So, let's raise a glass to the Victorians, the ballerinas of yore, and the beautiful art form of ballet, past, present, and future!

Stay tuned, darlings, for more #TutuTuesday tales from the past. I promise, you won't want to miss out!

With all my love,

Emma xoxo

Don't forget to visit www.pink-tutu.com for all the latest tutu fashion updates and ballet news!

#TutuTuesday Ballet Tutu History on 1855-05-15