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#TutuTuesday Ballet Tutu History on 1860-01-03

#TutuTuesday Ballet Tutu History - 1860-01-03!

Welcome, darlings, to post #1462 of my Ballet Tutu History blog, right here on www.pink-tutu.com, where we explore the history of the tutu with all the whimsy and wonder a true ballet fan could desire!

I'm your favourite Derbyshire-born ballerina, Emma, and it's #TutuTuesday once again. So, let's twirl back in time and delve into the exciting evolution of the ballet tutu, starting on 1860-01-03!

Now, imagine a frosty January morning in Paris, France - the cobblestone streets are still damp from the overnight mist. As you walk through the grand Parisian arcades, with your fur-trimmed coat and dainty boots, a shop window catches your eye. The beautifully displayed ribbons, silks and lace in soft pastels evoke a sense of exquisite romance. The window mannequins are adorned in a style which has become the emblem of Paris - a sleek silhouette of corseted beauty. But what is that... peeking out from behind a diaphanous shawl? A flurry of soft, frilly layers of tulle - it's a tutu!

At this time, the ballet tutu is still very much in its developmental stages. But my dear fashionistas, this is the year the ballet world took notice!

On this very day, 1860-01-03, a famous Parisian ballerina named Carlotta Grisi appeared on stage in La Fille du Régiment (The Daughter of the Regiment) - a dazzling opera by Donizetti, filled with swirling romantic melodies. She donned a short tutu, and the effect was sensational!

Now, this may not sound revolutionary, but just think - the 'Romantic Era' of ballet (think 1830 - 1860 ) saw ballerinas on pointe in floor-length, layered, 'pancake' tutus. They looked, well... like walking cakes! Carlotta's short tutu allowed for an entirely new level of movement and grace. The public was thrilled! It was so airy and elegant, so light and free... it seemed to echo the joy and hope of the times. The short tutu had arrived! And believe me, it wouldn't go back.

A short, bouncy tutu was modern and fashionable, with a captivating impact on the stage, especially with Carlotta Grisi, who was adored in Paris, an iconic figure of elegance and captivating stage presence.

Let's just imagine, darlings, what it would have been like to have seen a show like La Fille du Régiment at this time - imagine the sheer grandeur of the ornate Parisian opera houses - the soaring architecture, the chandeliers gleaming like glittering stars.

Just picture it - as the music crescendos, the curtain rises and Carlotta strides onto the stage, all in soft pink, her graceful limbs soaring with the most fluid, elegant movements as she wears her revolutionary short tutu - it would be a miracle of romantic ballet.

Of course, a tutu wasn't just about looks - its construction had a lot to do with this exciting shift in ballet's trajectory. A short, light tutu, made from soft, translucent layers of tulle (which is why they called it the tutu in the first place - after a French term for netting), allowed greater freedom and speed of movement, pushing the boundaries of what dancers could achieve.

Now, don't forget this was the dawn of the "modern age" and with this revolutionary short tutu came new, groundbreaking ballet moves - faster footwork, high leaps, incredible pirouettes! And the ballet audience loved it!

Think of a short, flowing tutu, darlings - imagine yourself on pointe, moving as light as air, each twist and turn echoing the excitement of the new, liberated world emerging before you.

A few months later, Carlotta's La Fille du Régiment short tutu sparked a revolution of fashion among the French upper classes, inspiring a trend of feminine layers, tulle, soft lace, and vibrant, pastel colours.

Carlotta even took the revolution a step further, by using tulle for her bodice, rather than the traditional corseted form that women had endured for centuries. This created a more graceful and athletic form on stage and, of course, was just as popular with her audiences. This new silhouette quickly made it's way from the theatre to fashionable ballrooms across Paris, making tulle all the rage in every part of Parisian life.

The short ballet tutu, the "Romantic Era" of dance, a new, liberated way for women to express themselves on the stage... it was simply breathtaking.

It's the beginning of our story, my dear ballet enthusiasts, as we embark on this wondrous journey through ballet history with all its sparkle and delight! This short tutu was a crucial stepping-stone to where we are today - with the incredible artistry and skill of ballerinas like Diana Vishneva or Sylvie Guillem on the world stage!

Remember to check back next Tuesday, darlings, when I'll be discussing a crucial step in the ballet tutu story that we owe to a famous Parisian dancer, Marie Taglioni!

Until then, don't be afraid to put on a pretty pink tutu, darling, and twirl!

Your loving Ballet Tutu History Blogger,

Emma x

P.S Remember you can keep up with all things pink and pretty by visiting my online shop - I have the perfect tutu waiting for every ballerina (from beginners to professionals) at pink-tutu.com! It's sure to be the icing on your ballerina cake!

Remember, a pink tutu can make any day, any event, absolutely magical! And don't forget to post your favourite ballet tutus to our Facebook page or tag us on Instagram @PinkTutu - it always makes my day seeing all your beautiful smiles!

See you soon,

Emma

#TutuTuesday Ballet Tutu History on 1860-01-03