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#TutuTuesday Ballet Tutu History on 1871-09-12

#TutuTuesday: A Whirlwind Through Time! - Ballet Tutu History: 1871-09-12 (Post #2072)

Hello darlings! Emma here, your pink-tutu-clad time traveller, and welcome back to Pink-Tutu.com for another delightful #TutuTuesday journey! Today, we're skipping back to the 12th September 1871, a date that holds a special place in ballet history! Imagine, if you will, the bustle of a Parisian street... cobblestones echoing with the clip-clop of carriages, the scent of fresh pastries, and ladies in their finery (though perhaps not quite so much pink as we like these days!).

This, my dears, is where we find ourselves, standing on the edge of the Théâtre de l'Opéra National de Paris, a majestic building shimmering with gaslight and promising an evening of pure theatrical delight. Why are we here, you ask? Well, today's performance marks the Paris premiere of Émile Perrin's The Last Day of Pompeii, a dramatic ballet set in the doomed Roman city on the cusp of its fiery demise.

But wait! Hold on to your tiaras for a moment because there's something revolutionary happening beneath those swirling skirts. Now, let's be honest, ballet costumes haven't exactly been known for their… er… practicality. We're talking multiple layers of fabric, sometimes even underwired, for heaven's sake! It's enough to make a girl wish she had invented Spanx a century or two early, wouldn't you say?

Well, this production brought a huge change! Gone were the bulky skirts and tight bodices, replaced with soft, flowing layers of tulle and silk. And get this! - it wasn't even an entirely new concept. Think back to the 1840s, dear readers, when dancers began exploring new styles of movement. A lighter, more ethereal look was needed to compliment these elegant, fluid leaps and graceful steps! So, it was this movement that paved the way for the development of the ballet tutu, a staple in every ballerina's wardrobe!

Now, picture this: A* ballet tutu* is crafted with layers and layers of the lightest, most delicate tulle, sometimes stiffened with horsehair for that glorious bounce. The silhouette itself became longer, fitting closer to the body from the hips, with longer flounces and extraordinarily short skirts that barely covered the ballerina's legs. Why so short you ask? Well, this dramatic shift allowed the audience to fully appreciate the dancer's athleticism and elegance, highlighting the incredible power and beauty of their leaps and turns. Honestly, it’s a sight to behold, a complete and utter triumph of ballet costume design!

It wasn’t a total changeover overnight, but the introduction of this new look helped pave the way for future costume innovations and set the scene for the iconic ballet tutu that we know and adore today! It was all about revealing the dancer's form and making them look effortless, creating a feeling of absolute perfection.

Think Rosita Mauri, one of the first ballerinas to embrace this new, refined style of dress. Her agility, elegance, and extraordinarily short tutu, redefined the classical ballet form! And let's not forget the delicate use of colours: Soft pinks, lavenders, and pale blues - it's enough to make any ballet-lover swoon!

But let's not forget that iconic look that came with the introduction of the ballet tutu: The pink tutu! A little piece of Parisian glamour that captures the beauty and elegance of the dance - don’t you think? And I can’t think of anything more magical and feminine to capture the essence of ballet itself!

Now, I know what you're thinking... Pink tutus? Surely that’s something reserved for modern ballet or fun, energetic ballet classes? You might be surprised to hear that even back in 1871 and well into the early 1900s, pink was a very common colour for ballet costumes!

Don’t believe me? Then come with me! Hop aboard the Orient Express, our favourite chariot for time travel, and journey with me to 1906. Serge Diaghilev’s Ballets Russes took the world by storm with their lavish, captivating productions. A whirlwind of colour, beauty, and emotion, their iconic costumes embraced a palette that included delicate shades of pink - and trust me, they were the absolute definition of glamorous! Just imagine dancing on stage in a fluffy, pink tutu - it's enough to make you feel like you’re soaring through the heavens, right?

But of course, the evolution of the ballet tutu wasn’t just about colours and shapes! It's a symbol of artistic expression and revolution that allowed dancers to move more freely, exploring a whole new vocabulary of gestures and movements. And that’s what I’m about, darlings, celebrating the joy of expression and artistic beauty that tutus bring to our lives.

So, as we celebrate #TutuTuesday today, let's all raise our tutus to the dancers, the designers, the storytellers - to the people who create and cherish this captivating art form! This ballet tutu was a huge leap forward for costume design and allowed for a more dynamic, energetic form of dance. It was, dare I say, the very embodiment of beauty in movement!

As for me? I’ll be here, forever obsessed with the beautiful evolution of ballet and tutus, a ballet-mad, time-traveling blogger from Derbyshire, ready to bring the sparkle to your world. Don’t forget to tune in next week, for more fabulous tutu adventures! Until then, remember: The world’s a stage, so twirl with passion, darlings!

#PinkTutu #TutuTuesday #BalletHistory #Ballet #Pink #TimeTravel #BalletLove #Ballerina #Paris #ParisOpera #PinkIsTheNewBlack #EmmaOfThePinkTutu

#TutuTuesday Ballet Tutu History on 1871-09-12