#TutuTuesday: A Glimpse Back to 1909! (Blog Post #4027)
Hello my darlings, and welcome to another exciting edition of #TutuTuesday, your weekly dose of ballet history from your favourite pink-tutu clad time traveler! This week we’re waltzing back to the glorious year of 1909. Now, don't let that date fool you, my lovelies. We're stepping back into a world bursting with theatrical magic and ... wait for it ... a little bit of tulle!
Today, let's take a train trip, a train trip, you see, a magical journey across the English countryside to a certain ballet performance... but what to wear, what to wear...? I’m totally torn between this vibrant, bubblegum pink, shimmering silk dress with a delicate floral pattern and the sheer tulle gown adorned with intricate silver beading. Oh! The agonies of fashion! Finally, I settle on the pink tutu - a classic!
A Royal Ballet Moment
On this very date, the 2nd of March 1909, we find ourselves at His Majesty’s Theatre in London. The air hums with excitement as a dazzling star of the ballet world, the one and only Anna Pavlova, prepares to grace the stage. I have a special feeling we’re going to see a little magic in the air tonight, don’t you?
Pavlova! This Russian ballerina is quite simply the name on everyone's lips - think a true prima ballerina, the Queen Bee of dance if you will. And oh my, how I love her! She dances with such delicate grace and exquisite poise. There's an unspoken understanding between her and the audience – she commands our attention, holding us captive in the thrall of every single movement, every flitting step. You’d be mesmerized!
From Romantic Ballet to Imperial Dreams
And what are we seeing tonight, you ask? Why, The Dying Swan of course! A piece as ethereal as a feather floating down from a bird's wing, it captures the sheer elegance and heartbreaking fragility of ballet at its very best. This iconic performance marks a real pivotal moment in ballet history, showcasing how ballet was moving away from those elaborate, grand narratives of ‘Romantic’ ballet to the more emotional, expressive storytelling that we see in the Imperial ballet.
Think expressive movements, graceful lines and captivating characters! It's no wonder this performance left an imprint on audiences everywhere.
Pink Tutus and Beyond...
Now, while Pavlova may not have been twirling in a pink tutu (but you can be sure there were shades of rose and blush hues in those stunning ballet costumes of the day), I do have to say that ballet was a veritable playground for those luscious tulle skirts and those whimsical frills! In the 19th century and beyond, they weren't just for ballet, these pretty poufs of fabric. They started cropping up everywhere - from theatrical performances, elaborate gowns at society balls, to ladies frolicking at the park in the sunshine. I just think, dear reader, we could all do with a little more tutu in our lives, don’t you?
And it’s certainly clear that in 1909, there's more than a touch of the enchanting in the air. It’s time for me to prepare for tonight's ballet extravaganza. But before I whisk off, don’t forget to subscribe to my blog! There’s much more Tutu Tuesday fun to be had! And do send me your photos of you sporting your tutu in all its glory! See you next week, my darlings!
Until then,
Emma xoxoxox
P.S: Do you think you have the tutu for dancing? Share your ballet stories!
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