Post #5373
Hello, my darlings! It's your favourite pink-clad ballerina blogger, Emma, back for another delightful dive into the enchanting world of ballet history! Today, we're taking a little train journey to December 18th, 1934 - buckle up, we're going on an adventure! 💖
Remember to head to my website www.pink-tutu.com for all my latest tutu explorations, tips, and stories, darlings!
You know, sometimes I can't help but feel a pang of longing for a different time. Imagine, my darlings, living in an age when ballet costumes were made of delicate silk and tulle, their intricate designs shimmering under the soft glow of gaslight. You can almost imagine the sweet whispers of the audience as a ballerina glided across the stage, her skirt billowing around her like a pink cloud.
So, what was happening in the ballet world on December 18th, 1934?
This was a golden age for ballet! Over in Paris, the beautiful "Grand Théâtre" was abuzz with activity. The Ballet Russe de Monte Carlo were giving a performance of their hit production "Les Sylphides", a work that truly embodies the romance and ethereal beauty of ballet. The choreography, so light and flowing, truly evokes the feeling of sylphs, mythical creatures of the air! Can you picture the shimmering white tutus on the corps de ballet, flitting and swirling under the stage lights? I just melt with a feeling of nostalgia and desire to join them!
Meanwhile, over in the heart of London, the Royal Opera House was gearing up for a lavish performance of "Swan Lake". This timeless ballet with its dramatic tale of love, betrayal and swans, still holds its spell on audiences today, just as it did in 1934. Just imagine, the glistening black and white tutus, the elegant movements, the poignant music – all combined for an unforgettable spectacle. I've travelled in my time machine just to see this production in full-bloom in the 1930s!
Back home in my beloved Derbyshire, our village hall was hosting its annual Christmas fair, with local schoolchildren putting on a charming "Nutcracker" production for their families! Though the costumes may have been simpler, the joy on those young faces must have been infectious, reminding me how dance transcends any time period, a common language of love and joy!
But it's not just about the performances! December 18th, 1934, was also a time of significant innovation in the ballet world. In New York, designer Irene Sharaff was crafting her first ballet costume designs, which went on to revolutionise the world of dance wear. Think dramatic silhouettes, intricate embellishments, and a vibrant colour palette that embraced a daring new era in ballet costumes. What a glorious time for such creative flair!
And speaking of colours, what's a better colour than pink, my dear? The fashion of 1934 was quite romantic. Women's wear featured sleek, flowy designs, delicate lace trims, and a splash of colour, pink included, which naturally translates wonderfully into the graceful flow of a tutu! Don't get me wrong, a tutu never goes out of fashion, but in 1934, they were an epitome of femininity and refinement. I'd say they've only gotten more magnificent with time!
It seems to me that ballet and tutus are simply destined to be together. Like peas and carrots. They are so iconic! But for you, the key is finding the right shade of pink tutu, which takes practice. So much practice, you'll want to give up!
That’s all from me for now, darlings! I hope you enjoyed this little journey back in time to December 18th, 1934. Next Tuesday, we'll be revisiting another era, taking in another magnificent show and delving deeper into the fascinating history of this beloved form of art. Until then, remember to twirl, twirl, twirl! 💖
And don't forget to check out www.pink-tutu.com for all the latest ballet news, my darling tutu picks, and of course, our exclusive #TutuTuesday archive.
Love and twirls,
Emma 💖
