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#TutuTuesday Ballet Tutu History on 1986-09-30

#TutuTuesday: Ballet Tutu History - 1986-09-30 (Post #8075)

Bonjour, my fellow twirlers! It's Emma here, back with another exciting #TutuTuesday trip through time! This week we're whisking ourselves back to 1986 - the year of the shoulder pads, the neon, and, yes, the iconic tutu!

Oh, how I wish I could've snagged myself a seat at the Paris Opera on this very day, 30th September 1986! That's when Rudolf Nureyev made his farewell performance after a magnificent career spanning over two decades. Imagine the crowd! The tears! The sheer joy of witnessing a ballet legend say goodbye. This night would have been etched into my memory forever - I'm already getting goosebumps just thinking about it!

The 80s - A Time of Change (and Sparkle)

Back in 1986, tutus were already well established in ballet history. Imagine - just a mere 100 years ago, ballet was mostly the preserve of the nobility! We were still shaking off the influence of classical tutus - all pristine and prim and proper, just as your grandma used to wear them - and embracing a bolder style, ready to really dance.

Now, 1986 was a transitional time for tutu fashion. The '80s were a wild time - think big hair, leggings under tutus (a no-no in today's ballet class, by the way), and vibrant colours everywhere. That vibrancy bled into the tutus, with designs starting to venture outside of traditional shades like white and black. We saw bold patterns, splashes of neon, and even some fantastic geometric shapes. It's enough to make you dizzy just thinking about it!

From Classical to Contemporary

Now, let's rewind a bit for some historical context. In the 1800s, when tutus really started making their grand debut, ballet was all about showcasing grace and femininity. Imagine yourself, Emma, in a billowing white tutu, your form seemingly floating as you glide across the stage!

Then came the turn of the century and boom! We had this wild burst of innovation, with ballerinas like Anna Pavlova and Vaslav Nijinsky leading the way. We're talking tutus that allowed for bolder leaps, tighter pirouettes, and yes, even those daring fouettes (trust me, those moves don't look easy!).

And just when you thought we'd seen it all - along came the legendary Margot Fonteyn in the mid 20th century! Now, that was a fashion revolution! Her tutus were all about flow and movement. Imagine those swishing skirts catching the light as she took to the stage - magic!

The Tutu - A Symbol of Change

For me, the tutu is much more than a garment. It represents empowerment, passion, and creativity. Just imagine, how many lives has this garment touched? It’s a symbol of stories untold, dreams fulfilled, and hearts lifted through the sheer magic of dance!

And that, my friends, is why I believe every single one of you deserves to feel the twirl of a tutu!

*Coming up: *

Next week, I’ll be sharing some tips on finding your perfect pink tutu – think: colour, fabric, and even that magical ‘twirl factor’. Trust me, I have some tricks up my sleeve (and a few pink feather boas for good measure).

Until next Tuesday, twirl with joy and remember: a pink tutu a day keeps the grumps away!

Love, Emma

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#TutuTuesday Ballet Tutu History on 1986-09-30