The Ballerina's Wardrobe: August 2000
My darlings, the summer is winding down and a fresh season of ballet is upon us! As we prepare for the intoxicating mix of "Swan Lake" and "Giselle", my attention turns to something as exquisite as the steps we so effortlessly perform - the costume. Our bodies, the instruments of our artistry, are draped in layers of ethereal beauty, the colour, texture, and sheer craftsmanship bringing every move to life on stage.
Of course, one must have an appreciation for history when considering these precious garments. The Romantic period, a time of delicate tutus and floating chiffon, is simply iconic. This is the very heart of the ballet costume - the image of the prima ballerina, an ethereal creature of light, dancing on pointe in her silken skirt.
Speaking of delicate tulle, it is my belief that the classic "Swan Lake" costumes should remain almost untouched. The purity of the white tulle, the exquisite feather detail (let's be honest, they look absolutely ravishing with a little sparkle), these elements are timeless. And in my opinion, nothing can be improved. The black swans, with their darker colours, have been known to embrace more theatrical adornments. I personally like to go for feathers, but keep it minimal - too much and you risk becoming a feather duster!
A little Parisian chic always does the trick, darling! For example, "Giselle" in its stunning array of colour! The rich palette, ranging from pale lemon yellows to vivid, lush emerald greens, and the delicate flowers - perfect for a springtime fairytale! But when it comes to Giselle, I say "go big or go home"! We all love a beautiful costume that dances like its own independent entity. A touch of bling is permissible - the more it glistens in the light, the more you captivate the audience, my dear.
Oh, and remember the little details that make the difference. A dainty corsage at the neckline, delicate embellishments on the sleeves, a simple pearl necklace - all these subtle elements add a touch of elegance to even the most basic costume.
While we love the classical look, there are new contemporary styles blossoming too! Ballet companies all over the globe are pushing the boundaries. Bold colours, sharp lines, and dynamic silhouettes are taking the stage. Some might say that these costumes aren't truly "ballet," but I see them as excitingly expressive! They represent a new direction for the dance world and allow for creative expression in all forms.
Here are my top picks for summer 2000 costumes: *Paris Opera Ballet, "Giselle" (by Christian Lacroix). Christian Lacroix! How divine! The colors, the layers, and oh, those flowers - this costume is truly a masterpiece. Just imagine, a palette of pastels, swirling fabric, and delicate embroidery! I've always believed Giselle should dance in something dreamy and romantic, and Lacroix has definitely delivered! It embodies all the grace and vulnerability of the story. The sheer tulle skirts, adorned with whimsical embroidery and the elegant bodice in an ethereal colour... Simply exquisite.
*New York City Ballet, "Diamonds" (by Karinska). The most elegant "Diamonds" is an absolutely exquisite masterpiece. The intricate embellishment of the shimmering silver and diamond-like crystals are incredibly opulent. And how about that classic white tutu with the dazzling details? Simply breathtaking! It radiates with pure classic grace and allows the movement to truly shine. Nothing screams "ballerina" more than a crystal-studded costume that makes every gesture seem ethereal.
*San Francisco Ballet, "Cinderella" (by Martin Pakledinaz). A simple and elegant approach to Cinderella - but one that embraces colour and richness of detail! It embodies a traditional Cinderella in its beautiful shape. Imagine it in powder blues and soft pinks! There is such exquisite detail on this beautiful costume! I have no doubt this piece is the stuff dreams are made of.
*Royal Ballet, "Swan Lake" (by Olga Bayrak). What is a ballet season without a beautiful "Swan Lake"?! Well, in my opinion, Olga Bayrak delivered the quintessential look in a perfectly constructed white swan. She kept the classic look, yet introduced contemporary details. I love the clever use of ruffles and tulle, and it’s an absolutely delightful twist on a classic.
From the ethereal lightness of a classical tutu to the bold contemporary shapes of modern creations, there is truly something for everyone. What a privilege it is to grace the stage in such remarkable pieces of artistry! We are living, breathing sculptures, my dears, dressed in dreams.