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#TutuTuesday Ballet Tutu History on 1857-09-01

#TutuTuesday: Ballet Tutu History - Post 1340

Hello, darlings! Welcome back to Pink-Tutu.com, where we celebrate the divine dance of ballet and all things tulle, especially our beloved tutus! It’s Tuesday, which means it’s time to twirl into the past with me and explore the captivating evolution of ballet fashion!

Today, I've whisked myself back to September 1st, 1857 - a grand time indeed! This year marked the 50th anniversary of the iconic London's Royal Opera House, which has been a sanctuary for beautiful dance for decades. And in my pink tulle ensemble, I’m soaking up the celebratory energy!

Oh, the delight of being a time-traveling ballerina! While my travels are fueled by the magic of the stage and the joy of sharing our shared love of dance, I also confess that a spot of retail therapy is a must for every journey! Luckily, the Parisian fashion houses were churning out breathtaking pieces back in 1857.

What I truly adore is how this era seamlessly merged fashion and performance. Gone were the days of heavy, restrictive corsets; fashion began embracing movement, just like we do in ballet! Dresses, though often adorned with luxurious fabrics and delicate lace, were designed to flow, to whirl with the dance, echoing the grace of our ballet costumes.

Now, while I may be wearing a fluffy pink tutu to this historic moment (because, really, how can I resist?!), let's delve into the early ballet costume trends, shall we? The early Victorian ballet era embraced the lightness and romanticism of the time. It's here we see the gradual evolution of the tutu as we know it.

Firstly, imagine flowing, layered skirts made of gauze and silk, reaching the ankles. They swirled with the dancers’ every step, bringing an airy charm to the performance. Oh, it’s easy to see how such delicate beauty captured hearts.

Then, a pivotal moment arrived: the first short ballet skirt was created! Think ankle-length skirts being cut to just above the knees, offering the dancers newfound freedom of movement. It was revolutionary, like the invention of the pointe shoe! It wasn't only visually breathtaking; it allowed the ballerinas to express themselves through a wider range of dance movements.

But, this early form of the tutu was still very different from the ones we know today. These early tutus were made with a more fluid, flowing silhouette - almost like a full, draped skirt. They were less structured and definitely more delicate. Think swirling silk or cotton fabrics, perhaps even gauze, with very few layers.

Imagine for a moment, a dancer gliding across the stage in a white silk skirt, perhaps with delicate floral details – the epitome of graceful, feminine elegance. This was the look of ballet in the mid-1800s!

Speaking of delicate floral details, I just stumbled upon a darling little boutique selling exquisite Parisian bonnets, fit for a ballerina! A dainty velvet ribbon trimmed with silk roses is my new acquisition. Just picture me twirling with such charming accessories!

Ah, but while my love of tutus knows no bounds, I couldn't resist adding a touch of 19th-century elegance to my look! I paired my pink tutu with a silk, full-skirted dress, reminiscent of the romantic silhouettes of the era, but with a modern twist. It's all about finding that balance between history and personality, my dear friends.

Of course, no ballerina's day is complete without a dose of delightful inspiration. The highlight of my day is seeing a performance at the Royal Opera House itself! Today's show features a captivating rendition of "Giselle," a story filled with ethereal beauty and heartfelt emotions. The sheer talent and grace of the dancers have left me speechless – they make my heart soar.

Before I head back to my time, a piece of fashion history trivia for you all. The 'crinoline', a fabric stiffener, gained huge popularity around this time! These crinoline structures made women's skirts wonderfully voluminous, and gave a grandness and fullness to the silhouette of the time. This must have been quite the inspiration for the early versions of the tutu, don't you think?

Well, my dear tutus-lovers, my time here in the Victorian era has reached its end. I must bid you farewell, but only until next Tuesday when I whisk myself away on a new ballet adventure. In the meantime, may your days be filled with tutus, tea parties, and, of course, dancing! Remember, to embrace the pink tutu within you and dance with joyful confidence.

Until next time, my darlings!

With love and twirls,

Emma

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#TutuTuesday Ballet Tutu History on 1857-09-01