#TutuTuesday Ballet Tutu History on 1939-06-06

Hello, darling dears, and welcome back to another glorious #TutuTuesday! I’m Emma, your ever-so-pink and eternally twirling guide to the fascinating world of ballet history, especially where those lovely, fluttery tutus are concerned. As usual, I’ve hopped onto the time travel express, this time landing myself right in the middle of 1939, and oh my, it's just as magical as you'd imagine.

It's been a bit of a whirl getting here, I must confess. The train journey was filled with the delightful chatter of a gaggle of girls heading to the ballet, their laughter echoing like a symphony. I found myself mesmerised by their glorious dresses, a kaleidoscope of colours and designs, reminding me of those stunning gowns we see in old movies. They all had such a glamorous flair, so very different from the more toned-down styles of our own time, but all with a common thread of timeless elegance. It’s certainly true that there is a special spark to classic styles that never go out of fashion, like the enchanting allure of a well-made tutu.

Now, to delve into the historical delights of this particular Tuesday – the 6th of June 1939 – a day marked by excitement for dance enthusiasts across the globe. In New York City, they were gearing up for a thrilling performance of “The Firebird” by the illustrious Ballet Russe de Monte Carlo at the Metropolitan Opera House. Now, I might be biased, but this ballet is a true spectacle! I just love the bold costumes, the dazzling choreography, and the magical storytelling that makes your imagination soar. The Russian choreographer Michel Fokine, whose genius gave birth to this ballet, must have felt the magic too because his interpretation of the story in his choreography is so powerful, and, for the 1939 season, Maria Tallchief played the Firebird. How exquisite she must have looked in her golden costume – truly a sight to behold! I’d wager that every audience member left with a touch of magic in their heart.

But while New York was enjoying a glamorous ballet evening, London’s stage was a little different. At the Sadler’s Wells Theatre, the iconic ballet company known as “The Sadler’s Wells Ballet” (soon to become the world-famous Royal Ballet in 1956), were entertaining audiences with a lively production of “Graduation Ball”. What a whimsical name! It paints a picture of youthful energy and charm, and what could be more joyful than celebrating young graduates with an energetic and vibrant ballet? It’s an iconic piece of ballet, featuring a waltz that brings a real touch of classical elegance, followed by energetic polka, that’s as light as a feather and twice as much fun.

And wouldn’t you know it, this ballet is a prime example of just how crucial tutus were to ballet throughout the 1930s. Even in the earlier ballet styles from the late 1800s and the early 1900s, where some tutus weren't even traditionally recognised as ‘tutues’ by those who wore them - they were considered more like long, frilly underskirts! They’re actually much shorter and puffier now! And guess what else? The design of tutus has only continued to evolve even to this very day!

Tutues play such a significant role in storytelling and aesthetic. I mean, picture a ballerina, graceful and ethereal in a shimmering tutu, effortlessly gliding across the stage - isn’t it an awe-inspiring sight? It’s truly an icon of beauty and grace, and the essence of dance, representing not only movement but freedom. This is something truly unique to the tutu; the design perfectly encompasses the essence of what makes a ballerina and ballet so enchanting to audiences. I think there’s a good chance it’s one of the most iconic pieces of costume that exists. It’s certainly the most glamorous and iconic outfit on earth in my book.

For me, though, every tutu is an inspiration, whether it’s on stage or a tutu in the shop on a bust. And let me tell you, seeing these gorgeous creations all around is the ultimate retail therapy, right? You can find some real gems when you’re shopping for a perfect tutu to wear - or a perfect tutu for a show - even back in 1939! Imagine the beautiful silks and tulles they had back then, and the craftsmanship! It makes me wonder how many lovely old tutus are hiding away in attics and antique shops waiting to be rediscovered, each one whispering tales of graceful movements and theatrical triumphs.

You know what I always say: Every Tuesday should be #TutuTuesday, so get on those tutus, darlings, and spread the ballet joy! There’s magic to be found everywhere, and it’s always waiting to be discovered, especially in our beloved tutus.

And if you’re ever feeling a little low in spirit, just picture a dancer in a graceful twirl in a perfect pink tutu, and instantly you’ll find that everything’s better with a little bit of ballet. Because for us ballet lovers, life’s simply more colourful with a pink tutu! Until next week, lovelies!

Emma, signing out (and heading off to find the perfect tutu shop!)